I was amusing myself trying to write haiku yesterday. There’s a local haiku competition coming up and I thought, why not? I’ll give it a whirl.
I remember writing haiku at school when I was about Drama Duck’s age. Back then, of course, it was all about the physical structure: the three lines of five syllables, then seven, then five again. I doubt my teacher even mentioned the finer points of nature/seasonal imagery or the way a haiku captures the essence of a moment, gives an unexpected insight. If she did, I certainly wasn't listening!
I found a gorgeous definition of haiku, itself a haiku, on the haikuoz website, by a bloke from Perth called Andrew Lansdown:
"Haiku are pebbles
poets lob into the pond
of our emotions."
So I was sitting there, scribbling away, counting syllables on my fingers, when Demon Duck asked me what I was doing.
“Writing haiku,” I said.
“Oh, we’ve done that at school,” she says, with all the lofty confidence of a nine-year-old. “I’ve written 16.”
Then she looked over what I’d written, counted the syllables and said, “That’s good, Mum, you’ve got it right.”
Next up was Mr I-don’t-have-a-poetic-bone-in-my-body, aka the Carnivore.
“What are you doing?”
“Writing haiku.”
“What’s that?”
Maybe that nine-year-old confidence wasn’t misplaced after all. At least she knows more than her father about haiku.
After I’d explained haiku, including how they’re usually about nature, he said:
“But you could write them about anything, right? Important things, like tax?”
Later in the evening he came to tell me he’d written one, grinning from ear to ear. I present it here for your edification.
“Transfer pricing,
Thin capitalisation,
Tax office pressure.”
He is such an accountant.
Sunday, 20 September 2009
Thursday, 17 September 2009
Memory is a funny beast
Memory is a funny thing. If you want a phone number, the date of a friend’s wedding anniversary, the details of a long-ago conversation, I’m your woman. The Carnivore, on the other hand, like many men, can’t remember his own children’s birthdays. Some days he’s not even too sure how old they are.
You’d think, being an accountant, he’d have a bit of an edge in remembering such number-related things, but no. His memory appears to be jammed full of the plot of every novel and B-grade movie he’s ever read/seen. He can even recite dialogue from some of them.
Whereas I, the more word-focused person, can reread novels without remembering anything of the plot. Sometimes I can recall one scene, or a character I liked, maybe a hazy recollection of the initial set-up, but the ending comes as a complete surprise.
It’s a little alarming to realise how fast my brain empties, but quite handy too. I never run out of new stories to read!
I was reading today and a new application of this anti-skill occurred to me. My eyes filled with tears at a moving bit, and the writer part of my brain stopped to analyse the effect. I wondered if the author felt moved when she wrote it. Maybe she was deliberately trying to engender this effect. If so, how would she know if she’d succeeded? Since she knew what she was aiming for, since she’d constructed the sadness, she couldn’t very well come at it as a new reader would, and experience the sadness.
Then I realised, due to the black hole in my memory where plots go to die, I can have my writerly cake and eat it too. (Which has always struck me as an odd expression. “You want to have your cake and eat it too!” people say, as if that’s a bad thing. But what else are you going to do with cake? Who are these weirdos who just want to look at their cake?)
I only have to leave anything I write a few months and I forget so much of it it’s like reading something somebody else wrote. Very handy for assessing what effect the story might have on a reader, though a little awkward if I ever do get published and people want to discuss my novels with me. “So Marina, why did you have So-and-so do X in your story?” “Er … remind me who So-and-so is again?”
Yesterday I reread a short story I finished back in June. That’s only three months ago. Couldn’t wait to get to the end to see what happened.
How could I forget so quickly?
At least I still liked it. Old Whatsername writes a pretty mean story when they let her out of the padded room.
You’d think, being an accountant, he’d have a bit of an edge in remembering such number-related things, but no. His memory appears to be jammed full of the plot of every novel and B-grade movie he’s ever read/seen. He can even recite dialogue from some of them.
Whereas I, the more word-focused person, can reread novels without remembering anything of the plot. Sometimes I can recall one scene, or a character I liked, maybe a hazy recollection of the initial set-up, but the ending comes as a complete surprise.
It’s a little alarming to realise how fast my brain empties, but quite handy too. I never run out of new stories to read!
I was reading today and a new application of this anti-skill occurred to me. My eyes filled with tears at a moving bit, and the writer part of my brain stopped to analyse the effect. I wondered if the author felt moved when she wrote it. Maybe she was deliberately trying to engender this effect. If so, how would she know if she’d succeeded? Since she knew what she was aiming for, since she’d constructed the sadness, she couldn’t very well come at it as a new reader would, and experience the sadness.
Then I realised, due to the black hole in my memory where plots go to die, I can have my writerly cake and eat it too. (Which has always struck me as an odd expression. “You want to have your cake and eat it too!” people say, as if that’s a bad thing. But what else are you going to do with cake? Who are these weirdos who just want to look at their cake?)
I only have to leave anything I write a few months and I forget so much of it it’s like reading something somebody else wrote. Very handy for assessing what effect the story might have on a reader, though a little awkward if I ever do get published and people want to discuss my novels with me. “So Marina, why did you have So-and-so do X in your story?” “Er … remind me who So-and-so is again?”
Yesterday I reread a short story I finished back in June. That’s only three months ago. Couldn’t wait to get to the end to see what happened.
How could I forget so quickly?
At least I still liked it. Old Whatsername writes a pretty mean story when they let her out of the padded room.
Thursday, 10 September 2009
Recurring themes
Like many great writers, Baby Duck has a favourite theme he returns to over and over again. His backlist would be the envy of many a writer, and all except one of his works – the classic Chickens in Space – features monsters. But even Chickens in Space is generously supplied with aliens, which is nearly the same thing.
He spends hours sometimes, drawing page after page, then he brings them to me to staple together and he dictates the text to me. If I’m really lucky I get to palm this job off on to Drama Duck, though then I worry that he’ll show it to someone and they’ll think I made all those spelling mistakes, so usually I do it. It can take an awfully long time sometimes, but its kinda fun too. His monsters are endlessly inventive, though the story usually follows a well-worn track, featuring a portal that opens into our world to let the monsters in, followed by lots of fights and explosions. Not too dissimilar to your average box-office smash, in other words.
The latest effort features a new twist – meta-text. After a dozen pages of the usual monster mayhem, I find something puzzling.
“Why is this monster being attacked by a giant pencil?” I ask.
The look he gives me says he’s wondering how someone can be that stupid and still tie their own shoelaces.
“He’s not being attacked by a giant pencil, Mum. That’s just showing people how to draw him.”
It’s so hard to get good mothers these days.
I find recurring themes in my own work too. Some are conscious. I’m fascinated by transformations, for instance. One of my favourite fairytales is Beauty and the Beast. The Little Mermaid is another. I love a good makeover story, like Cinderella, or Grease. Shapeshifters and werewolves are great. (As long as they’re not too scary. I still have nasty memories of some werewolf movies I saw about 25 years ago, back when werewolves were still beasts and not just extra-hairy toyboys, a la the current paranormal craze.)
Some recurring motifs seem to sneak in there without me realising. I was thinking about my next Nano novel the other day and a lighthouse appeared in it. That’s funny, I wrote that other story about a lighthouse … Why do lighthouses keep popping up? Which led to some sniggering about phallic symbols from the more juvenile aspects of my personality, but no enlightenment. As far as I’m aware, lighthouses mean nothing to me, so why do I keep wanting to write about them? The mind is a very weird place.
What are the themes and motifs that you keep returning to? Or what themes are you drawn to in the work of others? Weird enquiring minds want to know.
He spends hours sometimes, drawing page after page, then he brings them to me to staple together and he dictates the text to me. If I’m really lucky I get to palm this job off on to Drama Duck, though then I worry that he’ll show it to someone and they’ll think I made all those spelling mistakes, so usually I do it. It can take an awfully long time sometimes, but its kinda fun too. His monsters are endlessly inventive, though the story usually follows a well-worn track, featuring a portal that opens into our world to let the monsters in, followed by lots of fights and explosions. Not too dissimilar to your average box-office smash, in other words.
The latest effort features a new twist – meta-text. After a dozen pages of the usual monster mayhem, I find something puzzling.
The look he gives me says he’s wondering how someone can be that stupid and still tie their own shoelaces.
“He’s not being attacked by a giant pencil, Mum. That’s just showing people how to draw him.”
It’s so hard to get good mothers these days.
I find recurring themes in my own work too. Some are conscious. I’m fascinated by transformations, for instance. One of my favourite fairytales is Beauty and the Beast. The Little Mermaid is another. I love a good makeover story, like Cinderella, or Grease. Shapeshifters and werewolves are great. (As long as they’re not too scary. I still have nasty memories of some werewolf movies I saw about 25 years ago, back when werewolves were still beasts and not just extra-hairy toyboys, a la the current paranormal craze.)
Some recurring motifs seem to sneak in there without me realising. I was thinking about my next Nano novel the other day and a lighthouse appeared in it. That’s funny, I wrote that other story about a lighthouse … Why do lighthouses keep popping up? Which led to some sniggering about phallic symbols from the more juvenile aspects of my personality, but no enlightenment. As far as I’m aware, lighthouses mean nothing to me, so why do I keep wanting to write about them? The mind is a very weird place.
What are the themes and motifs that you keep returning to? Or what themes are you drawn to in the work of others? Weird enquiring minds want to know.
Saturday, 5 September 2009
Ad fail
Dear advertising agency,
You know that radio ad you produced where the smart alec voice-over lady begins, “You wouldn’t read the end of a book first, so why make a decision without seeing our beautiful range blah blah blah”?
That ad doesn’t have the effect you think it does.
Every time I hear Smartypants Lady say “You wouldn’t read the end of a book first” in that ho ho ho, we’re all adults here way, I want to shout at the radio, “HA!! Shows how much you know, lady!”. I’m too busy arguing with her to take in the rest of the sentence, or even notice what the ad is for. And I don’t think that’s what “talkback radio” is supposed to mean.
What kind of a boring universe do you come from, ad people? I thought you were meant to be creative types. Do you really think nobody ever peeks? Have you never been so caught up in a character’s dramas that you are simply compelled to flip ahead to make sure he or she makes it to the end of the book alive?
Those numbers at the bottom of each page? Some of us take those as a suggested reading order only. And those of us with freakishly tiny attention spans develop evil habits of turning big chunks of pages at a time, reading a bit, then skipping another big chunk in our efforts to get to the end and find out what happens. Later, when our curiosity is not so urgent, we go back and read the bits we skipped. Or not.
Of course, people who do that tend to end up with tottering piles of books around the house that never seem to get finished, as discussed in my post about the bookmark that had been there so long it changed colour. Which is a whole ’nother problem. Certainly not something I would recommend. Ahem.
Nevertheless, your insistence that reasonable people would never contemplate reading out of order makes me want to rush out and commit reckless acts of non-sequential reading just to spite you. I know, I’m mature like that. But come on, I can’t be the only person who gets so caught up in a book they can’t resist leaping ahead. Maybe you’re just reading the wrong kind of books.
And you know what else? I’ve even heard there are people who read the last page before they buy the book. Just to make sure there’s a Happily Ever After before they waste their money and emotional investment. Shocking, isn’t it? Can you believe that?
Oh, right. I guess not.
But you might want to rethink that ad. It sure ain’t working for this little black duck. And who knows how many other people are driving around Sydney yelling at their radios?
Yours sincerely,
Crazy Lady Who Yells At Radios
You know that radio ad you produced where the smart alec voice-over lady begins, “You wouldn’t read the end of a book first, so why make a decision without seeing our beautiful range blah blah blah”?
That ad doesn’t have the effect you think it does.
Every time I hear Smartypants Lady say “You wouldn’t read the end of a book first” in that ho ho ho, we’re all adults here way, I want to shout at the radio, “HA!! Shows how much you know, lady!”. I’m too busy arguing with her to take in the rest of the sentence, or even notice what the ad is for. And I don’t think that’s what “talkback radio” is supposed to mean.
What kind of a boring universe do you come from, ad people? I thought you were meant to be creative types. Do you really think nobody ever peeks? Have you never been so caught up in a character’s dramas that you are simply compelled to flip ahead to make sure he or she makes it to the end of the book alive?
Those numbers at the bottom of each page? Some of us take those as a suggested reading order only. And those of us with freakishly tiny attention spans develop evil habits of turning big chunks of pages at a time, reading a bit, then skipping another big chunk in our efforts to get to the end and find out what happens. Later, when our curiosity is not so urgent, we go back and read the bits we skipped. Or not.
Of course, people who do that tend to end up with tottering piles of books around the house that never seem to get finished, as discussed in my post about the bookmark that had been there so long it changed colour. Which is a whole ’nother problem. Certainly not something I would recommend. Ahem.
Nevertheless, your insistence that reasonable people would never contemplate reading out of order makes me want to rush out and commit reckless acts of non-sequential reading just to spite you. I know, I’m mature like that. But come on, I can’t be the only person who gets so caught up in a book they can’t resist leaping ahead. Maybe you’re just reading the wrong kind of books.
And you know what else? I’ve even heard there are people who read the last page before they buy the book. Just to make sure there’s a Happily Ever After before they waste their money and emotional investment. Shocking, isn’t it? Can you believe that?
Oh, right. I guess not.
But you might want to rethink that ad. It sure ain’t working for this little black duck. And who knows how many other people are driving around Sydney yelling at their radios?
Yours sincerely,
Crazy Lady Who Yells At Radios
Thursday, 3 September 2009
This is going to get ugly
This year’s Nano just got a whole lot harder. Demon Duck announced tonight that she is going to do Nano too. Holy shrieking tantrums, Batman.
Demon Duck is – how shall I put this? – not the most placid of persons. I can see it now. November will be full of daily crying jags, fights and bitter complaints that everyone else is hogging the computer.
And that’s just me.
Wait until she gets started. The you-know-what will not just be hitting the fan, but knocking the fan right through the wall, destroying everything in its path before coming to rest, a twisted wreck, a mile down the road. The world is not ready for the terrifying collision of NaNoWriMo and Demon Duck’s, shall we say, underdeveloped strategies for coping with stress. Sorry about that, world. But what can I do? Her big sister has been planning excitedly for weeks.
I could refuse, on the grounds that I won’t get any writing done if she is storming down the hallway every five minutes to throw herself on her bed and sob. Unfortunately, the fact that it is true won’t win me any points in the Being a Good Parent Stakes. Instead, I will have to grit my teeth and Encourage the Budding Novelist.
Just one more thing they never tell you in antenatal classes. But don’t get me started on that.
So. My feelings about Nano are something of a mixture. There’s the usual oh I can’t wait, all tangled up with its old friend what the hell are you thinking??? There’s the twins this year I’ll be more prepared and I still have plenty of time, but now they are shadowed by their gloomy cousin Good Lord, now I’m support crew for not one, but two junior Nanoers and his sidekick this is all going to End Badly.
The sensible thing would be to do a lot of preparation. Plan and outline to the nth degree, know exactly where my story’s going before November arrives. There are people in my writing group who write like that. They even use spreadsheets to order their scenes.
I’ve been thinking about the eternal plotters vs pantsers debate as I write Dragonheart. I started with a one-page outline in very general terms that covered the initial situation, the main conflict, half-a-dozen characters and “it ends like this and they all live happily ever after”. I did more planning than I’d ever done before, considering character motivations and some worldbuilding details. The first few scenes were clear in my mind. So not a complete pantser.
Once I got stuck into the frantic terror of Nano I wished most desperately that I’d planned in more detail. Worldbuilding’s all very well, but what would the characters actually do? My brain was bursting with the effort of dreaming it all up on the fly. I resolved to be more organised and never put myself through this again. How much easier it would be if I had a scene outline for every scene, not just the first few, and all I had to do was flesh it out. Plotting was definitely the way to go.
Or was it? I’ve talked about muse bombs before: those little gifts from the subconscious. They start off as little details, mere window-dressing on a scene, but on reflection they morph into something huge and wonderful in the story. The closer I get to the end of Dragonheart, the more I can see how enormously these features have influenced the shape of my story.
They didn’t exist in the outline. Lots of things didn’t, of course; it was very basic. More importantly, they didn’t exist in my brain at the outset either, and I don’t think any amount of planning would have unearthed them. They grew out of the story as it unfolded, when I arrived at that place in the telling.
Another one appeared the other day. 83,000 words in, you’d think I’d know everything about my world. But a perfectly innocent sentence came out of a character’s mouth and I looked at what I’d just typed and went “Oh my God – how did I not see that before?”. My whole magic system got turned on its ear.
I know the plotters say that an outline isn’t set in stone. You can change it as you go along. But if you’re going to end up changing 90%, what’s the point of going to the effort of nutting it out beforehand? Dragonheart would be a very different story without the ideas that joined the party along the way, so I don’t think major plotting is the best way for me. Even though it might stop me feeling that my brain is going to explode out my ears.
That’s not to say that I won’t do any planning for Nano. I’m thinking that a happy medium might be to plan the first quarter of the book fairly tightly to get me off to a good start.
After that anything goes. And probably will.
Now I just have to find me a flame-retardant suit for when Demon Duck gets started.
Demon Duck is – how shall I put this? – not the most placid of persons. I can see it now. November will be full of daily crying jags, fights and bitter complaints that everyone else is hogging the computer.
And that’s just me.
Wait until she gets started. The you-know-what will not just be hitting the fan, but knocking the fan right through the wall, destroying everything in its path before coming to rest, a twisted wreck, a mile down the road. The world is not ready for the terrifying collision of NaNoWriMo and Demon Duck’s, shall we say, underdeveloped strategies for coping with stress. Sorry about that, world. But what can I do? Her big sister has been planning excitedly for weeks.
I could refuse, on the grounds that I won’t get any writing done if she is storming down the hallway every five minutes to throw herself on her bed and sob. Unfortunately, the fact that it is true won’t win me any points in the Being a Good Parent Stakes. Instead, I will have to grit my teeth and Encourage the Budding Novelist.
Just one more thing they never tell you in antenatal classes. But don’t get me started on that.
So. My feelings about Nano are something of a mixture. There’s the usual oh I can’t wait, all tangled up with its old friend what the hell are you thinking??? There’s the twins this year I’ll be more prepared and I still have plenty of time, but now they are shadowed by their gloomy cousin Good Lord, now I’m support crew for not one, but two junior Nanoers and his sidekick this is all going to End Badly.
The sensible thing would be to do a lot of preparation. Plan and outline to the nth degree, know exactly where my story’s going before November arrives. There are people in my writing group who write like that. They even use spreadsheets to order their scenes.
I’ve been thinking about the eternal plotters vs pantsers debate as I write Dragonheart. I started with a one-page outline in very general terms that covered the initial situation, the main conflict, half-a-dozen characters and “it ends like this and they all live happily ever after”. I did more planning than I’d ever done before, considering character motivations and some worldbuilding details. The first few scenes were clear in my mind. So not a complete pantser.
Once I got stuck into the frantic terror of Nano I wished most desperately that I’d planned in more detail. Worldbuilding’s all very well, but what would the characters actually do? My brain was bursting with the effort of dreaming it all up on the fly. I resolved to be more organised and never put myself through this again. How much easier it would be if I had a scene outline for every scene, not just the first few, and all I had to do was flesh it out. Plotting was definitely the way to go.
Or was it? I’ve talked about muse bombs before: those little gifts from the subconscious. They start off as little details, mere window-dressing on a scene, but on reflection they morph into something huge and wonderful in the story. The closer I get to the end of Dragonheart, the more I can see how enormously these features have influenced the shape of my story.
They didn’t exist in the outline. Lots of things didn’t, of course; it was very basic. More importantly, they didn’t exist in my brain at the outset either, and I don’t think any amount of planning would have unearthed them. They grew out of the story as it unfolded, when I arrived at that place in the telling.
Another one appeared the other day. 83,000 words in, you’d think I’d know everything about my world. But a perfectly innocent sentence came out of a character’s mouth and I looked at what I’d just typed and went “Oh my God – how did I not see that before?”. My whole magic system got turned on its ear.
I know the plotters say that an outline isn’t set in stone. You can change it as you go along. But if you’re going to end up changing 90%, what’s the point of going to the effort of nutting it out beforehand? Dragonheart would be a very different story without the ideas that joined the party along the way, so I don’t think major plotting is the best way for me. Even though it might stop me feeling that my brain is going to explode out my ears.
That’s not to say that I won’t do any planning for Nano. I’m thinking that a happy medium might be to plan the first quarter of the book fairly tightly to get me off to a good start.
After that anything goes. And probably will.
Now I just have to find me a flame-retardant suit for when Demon Duck gets started.
Tuesday, 1 September 2009
I blame Glenda Larke
I had a dreadful headache all day yesterday, and I blame Glenda Larke.
Late last week I heard her new book, The Last Stormlord, was available at my local sff bookshop. I’ve been hanging out to read this one, so “visit to Infinitas” went on the to-do list for Monday.
Unfortunately for my head, I then discovered on her blog that the whole book was up on the Voyager website for a couple of weeks. (And what is up with that? Publishers giving away the whole book for free? Which universe is this again?)
So I thought I’d take a little peek. Cue hollow laughter. I ended up staying up till crazy stupid o’clock on Sunday night reading the damn thing onscreen in teeny tiny print. Despite knowing that I would have the actual real live book in my hands the next day. Despite knowing I had to get up early. Despite the fact that my eyeballs shrivelled up and fell out of my head. I just groped under the table, picked the dog hairs off and stuck them back into their bleeding sockets.
Note to Publisher: Do not offer Gigantic Whole Novels on your website. I don’t care what your marketing gurus told you, it is not good business to make readers’ eyeballs fall out of their heads. Not much chance of people buying your product, is there, if they can no longer read.
So Voyager must share part of the blame for the monumental headache I endured yesterday. But most of it is Glenda’s fault, of course, since if she hadn’t written such a good book I might have been able to resist the lure of just one more chapter.
I imagine Glenda might point out that people who have reached my age ought to be aware that staying up reading half the night will give you a headache. And if they persist in such foolish behaviour they deserve everything they get.
Much as it pains me to disagree with one of my idols, I would have to reply that people who commit reckless acts of Awesome World-building must in turn be aware that their actions are extremely dangerous to the reading populace. Books such as The Last Stormlord should come with a warning not to operate heavy machinery after reading. I was a write-off on Monday, but I couldn’t stop thinking about the story, couldn’t wait to get back to reading it.
The story is set in the desert world of the Quartern, where rain no longer falls randomly, but is summoned and distributed by stormlords. Water’s scarcity informs the whole society, and Glenda brings this alien world to life with amazing skill, from its marvellous wildlife to the rigid hierarchies of the cities.
Through a series of misfortunes, the number of stormlords has dwindled till now there is only one, and he is rapidly failing. The search is on for a new stormlord to prevent the total breakdown of society. But no one is as they seem, as the book’s two main characters, Shale, a water-sensitive boy from the lowest caste and Terelle, a girl struggling to escape a future of prostitution, soon discover. And maybe all those stormlords didn’t die by accident …
Quick! Run to your nearest bookshop and buy it. Don’t start reading it on screen, thinking you will be able to stop reading and go to bed at a reasonable hour. Trust me, you are not that strong. That way lies the Headache from Hell.
This is a seriously good book. Can’t wait for the next one! But please, Voyager, don’t make it available on your website. My eyeballs will thank you.
Late last week I heard her new book, The Last Stormlord, was available at my local sff bookshop. I’ve been hanging out to read this one, so “visit to Infinitas” went on the to-do list for Monday.
Unfortunately for my head, I then discovered on her blog that the whole book was up on the Voyager website for a couple of weeks. (And what is up with that? Publishers giving away the whole book for free? Which universe is this again?)
So I thought I’d take a little peek. Cue hollow laughter. I ended up staying up till crazy stupid o’clock on Sunday night reading the damn thing onscreen in teeny tiny print. Despite knowing that I would have the actual real live book in my hands the next day. Despite knowing I had to get up early. Despite the fact that my eyeballs shrivelled up and fell out of my head. I just groped under the table, picked the dog hairs off and stuck them back into their bleeding sockets.
Note to Publisher: Do not offer Gigantic Whole Novels on your website. I don’t care what your marketing gurus told you, it is not good business to make readers’ eyeballs fall out of their heads. Not much chance of people buying your product, is there, if they can no longer read.
So Voyager must share part of the blame for the monumental headache I endured yesterday. But most of it is Glenda’s fault, of course, since if she hadn’t written such a good book I might have been able to resist the lure of just one more chapter.
I imagine Glenda might point out that people who have reached my age ought to be aware that staying up reading half the night will give you a headache. And if they persist in such foolish behaviour they deserve everything they get.
Much as it pains me to disagree with one of my idols, I would have to reply that people who commit reckless acts of Awesome World-building must in turn be aware that their actions are extremely dangerous to the reading populace. Books such as The Last Stormlord should come with a warning not to operate heavy machinery after reading. I was a write-off on Monday, but I couldn’t stop thinking about the story, couldn’t wait to get back to reading it.
The story is set in the desert world of the Quartern, where rain no longer falls randomly, but is summoned and distributed by stormlords. Water’s scarcity informs the whole society, and Glenda brings this alien world to life with amazing skill, from its marvellous wildlife to the rigid hierarchies of the cities.
Through a series of misfortunes, the number of stormlords has dwindled till now there is only one, and he is rapidly failing. The search is on for a new stormlord to prevent the total breakdown of society. But no one is as they seem, as the book’s two main characters, Shale, a water-sensitive boy from the lowest caste and Terelle, a girl struggling to escape a future of prostitution, soon discover. And maybe all those stormlords didn’t die by accident …
Quick! Run to your nearest bookshop and buy it. Don’t start reading it on screen, thinking you will be able to stop reading and go to bed at a reasonable hour. Trust me, you are not that strong. That way lies the Headache from Hell.
This is a seriously good book. Can’t wait for the next one! But please, Voyager, don’t make it available on your website. My eyeballs will thank you.
Wednesday, 26 August 2009
Alas! she loves another
Dear Dragonheart,
We’ve been going steady for a while now, and I know we’ve had our ups and downs. I had a couple of flings with short stories, and there was that long separation a few months back. Things were a bit rocky there while we were getting reacquainted but then, I don’t know, I changed, or you changed, and suddenly we were in love again, just like that first flush of romance when it all began.
You were once again the only story for me, and I’m sure you felt the same. We were meant for each other, and it seemed that nothing could ever part us again. Only ...
Don’t get mad. It’s not you, it’s me. Me and my BAD AS (Bloody Awful Deficient Attention Span). I just have this problem with commitment.
I’ve started seeing someone else. No, no, nothing’s happened yet. We haven’t even held hands. We’re just talking. But this new story’s so luscious, so full of ripe promise, that I’m all giddy and starry-eyed just thinking about it. It’s making it hard to honour those vows I made you, to see it through to the bitter end.
You’ve got to help me, Dragonheart. Be scintillating. Sweep me off my feet with the dizzying turns of your plot. Pull all those hanging threads together into an ending so wondrous that I can resist the lure of the New Story. Work with me here, baby.
Please?
Love,
me
Sooo. Remember how I decided not to do Nano again this year? Yep. I lied. Thought of the most splendiferously brilliant idea the other day, and now I just want Dragonheart to be over so I can go play with my shiny new idea.
Of course, I realise it’s only shiny because it’s new, and by the time I’m halfway through I’ll think it’s the most appalling drivel I’ve ever written, but still. Even knowing that, the first flush of romance is still exciting.
It may even be a good thing for poor Dragonheart. I’m at 82,000 words now, still struggling on, but the ending can’t be too much further, can it? I’m toying with my new idea, doing a little research, but only after I write every day on Dragonheart. I’m determined to finish it now I’m this close, and if I can manage it by the end of September that still leaves me a month to plan before Nano kicks off.
Besides, Drama Duck wants to do Nano this year too, so I can hardly leave her to do it on her own, can I?
The sacrifices I am prepared to make for my children ...
We’ve been going steady for a while now, and I know we’ve had our ups and downs. I had a couple of flings with short stories, and there was that long separation a few months back. Things were a bit rocky there while we were getting reacquainted but then, I don’t know, I changed, or you changed, and suddenly we were in love again, just like that first flush of romance when it all began.
You were once again the only story for me, and I’m sure you felt the same. We were meant for each other, and it seemed that nothing could ever part us again. Only ...
Don’t get mad. It’s not you, it’s me. Me and my BAD AS (Bloody Awful Deficient Attention Span). I just have this problem with commitment.
I’ve started seeing someone else. No, no, nothing’s happened yet. We haven’t even held hands. We’re just talking. But this new story’s so luscious, so full of ripe promise, that I’m all giddy and starry-eyed just thinking about it. It’s making it hard to honour those vows I made you, to see it through to the bitter end.
You’ve got to help me, Dragonheart. Be scintillating. Sweep me off my feet with the dizzying turns of your plot. Pull all those hanging threads together into an ending so wondrous that I can resist the lure of the New Story. Work with me here, baby.
Please?
Love,
me
Sooo. Remember how I decided not to do Nano again this year? Yep. I lied. Thought of the most splendiferously brilliant idea the other day, and now I just want Dragonheart to be over so I can go play with my shiny new idea.
Of course, I realise it’s only shiny because it’s new, and by the time I’m halfway through I’ll think it’s the most appalling drivel I’ve ever written, but still. Even knowing that, the first flush of romance is still exciting.
It may even be a good thing for poor Dragonheart. I’m at 82,000 words now, still struggling on, but the ending can’t be too much further, can it? I’m toying with my new idea, doing a little research, but only after I write every day on Dragonheart. I’m determined to finish it now I’m this close, and if I can manage it by the end of September that still leaves me a month to plan before Nano kicks off.
Besides, Drama Duck wants to do Nano this year too, so I can hardly leave her to do it on her own, can I?
The sacrifices I am prepared to make for my children ...
Monday, 24 August 2009
A family of comedians
I am living with a family of comedians.
Evidence the first:
Baby Duck had a haircut on Friday. Our friend who was cutting his hair asked if he’d like hair the colour of hers, but he declined, saying her colour looked old. Pretending outrage, our friend said, “Just wait till you’re forty! I’ll tell you ‘hey, you’re looking pretty old now’."
He said, “And I’ll say ‘you still look older than me!’ "
Evidence the second:
Someone who shall remain nameless, but she’s my middle child and her name starts with Demon and ends with Duck, defaced my menu board while I was out yesterday.
(What, doesn’t everyone write the week’s menu on a whiteboard in their kitchen? What do you mean, I’m anal?)
She had carefully written up the menu as follows:
Monday: takeaway
Tuesday: takeaway
Wednesday: takeaway
Thursday: takeaway
Friday: takeaway
Saturday: takeaway
Sunday: out
Only the spelling mistakes have been changed to protect the innocent.
Evidence the third:
The girls went iceskating yesterday while I was out. I think that was pretty brave of me. If I say that I was imagining severed fingers lying twitching on the ice, you will think my worrywart gene is showing again. In my defence I offer that I used to work with a lovely man who was missing a couple of fingers because of an iceskating accident as a child.
I mentioned to Drama Duck last night that I’d been a little stressed about them going skating.
"It was fine,” she said dismissively. “I’ve still got most of my fingers."
Evidence the fourth:
And the reason I was not available to personally supervise the safety of my daughters’ precious pinkies?
My brother rang a couple of weeks ago to say he was going away for a few days. He usually does Mum’s grocery shopping for her, and wanted me to cover for him. Not a problem, since I usually visit Mum once a week anyway, but just to make sure I wouldn’t forget, I wrote “Mum shopping” on the calendar that hangs on the back of the en suite door.
(My friends find it amusing when they ask me if I’m free on a certain date and I tell them I have to go check on the toilet door.)
This morning I got out of the shower and found that underneath “Mum shopping” the Carnivore had written “Could not find a decent Mum".
Evidence the first:
Baby Duck had a haircut on Friday. Our friend who was cutting his hair asked if he’d like hair the colour of hers, but he declined, saying her colour looked old. Pretending outrage, our friend said, “Just wait till you’re forty! I’ll tell you ‘hey, you’re looking pretty old now’."
He said, “And I’ll say ‘you still look older than me!’ "
Evidence the second:
Someone who shall remain nameless, but she’s my middle child and her name starts with Demon and ends with Duck, defaced my menu board while I was out yesterday.
(What, doesn’t everyone write the week’s menu on a whiteboard in their kitchen? What do you mean, I’m anal?)
She had carefully written up the menu as follows:
Monday: takeaway
Tuesday: takeaway
Wednesday: takeaway
Thursday: takeaway
Friday: takeaway
Saturday: takeaway
Sunday: out
Only the spelling mistakes have been changed to protect the innocent.
Evidence the third:
The girls went iceskating yesterday while I was out. I think that was pretty brave of me. If I say that I was imagining severed fingers lying twitching on the ice, you will think my worrywart gene is showing again. In my defence I offer that I used to work with a lovely man who was missing a couple of fingers because of an iceskating accident as a child.
I mentioned to Drama Duck last night that I’d been a little stressed about them going skating.
"It was fine,” she said dismissively. “I’ve still got most of my fingers."
Evidence the fourth:
And the reason I was not available to personally supervise the safety of my daughters’ precious pinkies?
My brother rang a couple of weeks ago to say he was going away for a few days. He usually does Mum’s grocery shopping for her, and wanted me to cover for him. Not a problem, since I usually visit Mum once a week anyway, but just to make sure I wouldn’t forget, I wrote “Mum shopping” on the calendar that hangs on the back of the en suite door.
(My friends find it amusing when they ask me if I’m free on a certain date and I tell them I have to go check on the toilet door.)
This morning I got out of the shower and found that underneath “Mum shopping” the Carnivore had written “Could not find a decent Mum".
Wednesday, 12 August 2009
100 ways to say "tree"
Yesterday’s post reminded me of another travelling game that has gone down in family legend.
We were driving along a dull stretch of freeway, with nothing but trees either side of the road as far as the eye could see – and the ducklings wanted to play I Spy. So we came up with a variation, where the answer was always the same, but the challenge was in thinking up a different description every time.
“I spy with my little eye something that has a brown trunk.”
“Tree.”
“I spy with my little eye something that has green leaves.”
“Tree.”
“… something that birds build nests in.”
“Tree.”
“… something you can make paper out of.”
“Tree.”
“… something loggers cut down.”
“Tree.”
“… something that starts with T and ends in E.”
“Tree.”
And so on. It kept the ducklings amused for a good half hour, all yelling out “TREE” every time at the tops of their lungs, and we came up with 30 or 40 ways to describe a tree. It got harder as we went along, of course, till we were really racking our brains trying to come up with something different.
It occurred to me this morning that this is good exercise for a writer’s brain. So often we reach for the same old descriptions – “brown trunk and green leaves” – instead of pushing a bit further to get “something you can make paper out of” or even further to “something featuring heavily in a lot of creation mythology”.
My first drafts are full of brown trunks and green leaves. My characters shrug and snort and nod nearly every time they open their mouths. Their hearts pound in their chests and leap into their throats every time they are alarmed (which is a lot of the time). There are grim looks by the bucketload and so much crossing and uncrossing of legs when they sit down it’s a wonder they haven’t all got cramps in their calves.
But that’s what revisions are for. Karen Miller says first drafts are just her telling herself the story. Alexandra Sokoloff had a great post a while back titled “Your first draft is always going to suck”. It helps to remember that when I’m feeling that my writing is registering too high on the crapometer. This is just me working out what happens. The time for adjusting subplots and foreshadowing is not now. Elegant prose is not now.
Now is just brown trunk after brown trunk, till I’ve built a whole forest to play in. Now is the painful “but what happens next?”.
So, time to stop playing on the blog and go find out. Damn trees.
We were driving along a dull stretch of freeway, with nothing but trees either side of the road as far as the eye could see – and the ducklings wanted to play I Spy. So we came up with a variation, where the answer was always the same, but the challenge was in thinking up a different description every time.
“I spy with my little eye something that has a brown trunk.”
“Tree.”
“I spy with my little eye something that has green leaves.”
“Tree.”
“… something that birds build nests in.”
“Tree.”
“… something you can make paper out of.”
“Tree.”
“… something loggers cut down.”
“Tree.”
“… something that starts with T and ends in E.”
“Tree.”
And so on. It kept the ducklings amused for a good half hour, all yelling out “TREE” every time at the tops of their lungs, and we came up with 30 or 40 ways to describe a tree. It got harder as we went along, of course, till we were really racking our brains trying to come up with something different.
It occurred to me this morning that this is good exercise for a writer’s brain. So often we reach for the same old descriptions – “brown trunk and green leaves” – instead of pushing a bit further to get “something you can make paper out of” or even further to “something featuring heavily in a lot of creation mythology”.
My first drafts are full of brown trunks and green leaves. My characters shrug and snort and nod nearly every time they open their mouths. Their hearts pound in their chests and leap into their throats every time they are alarmed (which is a lot of the time). There are grim looks by the bucketload and so much crossing and uncrossing of legs when they sit down it’s a wonder they haven’t all got cramps in their calves.
But that’s what revisions are for. Karen Miller says first drafts are just her telling herself the story. Alexandra Sokoloff had a great post a while back titled “Your first draft is always going to suck”. It helps to remember that when I’m feeling that my writing is registering too high on the crapometer. This is just me working out what happens. The time for adjusting subplots and foreshadowing is not now. Elegant prose is not now.
Now is just brown trunk after brown trunk, till I’ve built a whole forest to play in. Now is the painful “but what happens next?”.
So, time to stop playing on the blog and go find out. Damn trees.
Tuesday, 11 August 2009
Telling tales
Mum lives about an hour’s drive away. It’s an easy drive, along motorways and freeways, but monotonous, particularly for small passengers. To pass the time last weekend I suggested we take turns telling a story, with each person taking up the tale where the last one left off.
In fact we had time for half a dozen stories in the two hours there and back, featuring such things as giant hairy flying cucumbers, pink elephants that turned into long-lost brothers and cows who were “dairy godmothers”. I believe that pun was snitched from a real story but it gave me a good laugh at the time.
It was fascinating to hear what each duckling came up with and observe their different personalities at work. Demon Duck, our little perfectionist, was very hesitant. A couple of times she got carried away by the story, but mostly she had a very quick go before passing the responsibility on to her sister. I think she was afraid of “getting it wrong”.
Drama Duck, otherwise known as “Little Miss Talk Underwater”, was in her element. Her turns were very long and inventive, and long after her brother and sister had dropped out of the game she was still eager to continue.
Baby Duck surprised me. He eventually got bored – he is only six, after all – but his efforts were quite creative and coherent. Once I thought he’d gone off into a different story altogether, but he brought it back around and tied it into the main thread. He’d only introduced a different point of view. And his grasp of storytelling conventions was quite firm. When it was his turn to start a new story he began:
In fact we had time for half a dozen stories in the two hours there and back, featuring such things as giant hairy flying cucumbers, pink elephants that turned into long-lost brothers and cows who were “dairy godmothers”. I believe that pun was snitched from a real story but it gave me a good laugh at the time.
It was fascinating to hear what each duckling came up with and observe their different personalities at work. Demon Duck, our little perfectionist, was very hesitant. A couple of times she got carried away by the story, but mostly she had a very quick go before passing the responsibility on to her sister. I think she was afraid of “getting it wrong”.
Drama Duck, otherwise known as “Little Miss Talk Underwater”, was in her element. Her turns were very long and inventive, and long after her brother and sister had dropped out of the game she was still eager to continue.
Baby Duck surprised me. He eventually got bored – he is only six, after all – but his efforts were quite creative and coherent. Once I thought he’d gone off into a different story altogether, but he brought it back around and tied it into the main thread. He’d only introduced a different point of view. And his grasp of storytelling conventions was quite firm. When it was his turn to start a new story he began:
“Once upon a time, a long, long time ago, in a land far, far away … there lived a little lizard named Fred.”
Thursday, 30 July 2009
Tools of the trade
We bought a new knife recently. We have a knife block full of knives, but I use the same one all the time, because it’s the most useful length and weight for me. Several years ago it had a rather disastrous trip through the dishwasher, where it fell down on to the element and the heat gouged a contorted scar out of the handle. A kind friend filed it so it would still be comfortable to hold, if a little odd-looking. Earlier this year the two halves of the handle began to separate, so the Carnivore wound stickytape around it. King of the handymen he is not. Still, it worked for a while. Then the stickytape began to unstick from the handle and started sticking to me instead when I held it, at which point I decided it was time for a visit to the knife shop.
Taking the Carnivore to the knife shop is like letting a kid loose in a lolly shop. What is it with men and knives? There must be a Love of All Things Sharp and Pointy gene somewhere in their DNA. All that shiny dangerous steel calls to the caveman inside even the mildest accountant. If only something had been on fire too, he might be there still.
So after I’d talked him down from his steel-induced high and refused to buy the $300 knife, we brought our new knife home. Cooking that night I realised just how blunt the old one had been. The new one sliced through everything so easily it was a joy. It made me conscious again of how much easier jobs are when you have the right tools.
Patchwork, for instance, can be done by drafting blocks on graph paper, making templates, tracing around the templates on the back of every piece of fabric in the quilt, then cutting out with scissors and hand-sewing the pieces together. Which makes you realise why the popular conception of a quilter is a little old lady. It takes that long to make a damn quilt. Thankfully, these days you can buy a rotary cutter and cutting mat, cut out everything more accurately and about ten times faster, and sew it together with a sewing machine. I’m all about instant gratification, so no prizes for guessing which is my preferred method.
So then I started to wonder – what are a writer’s tools? What are the essentials that no writer should be without?
A computer is the most obvious one, of course. Yes, it is possible to write a novel without one. Books were handwritten for centuries, just as quilts were made the traditional way. And I’m sure most writers started off handwriting stories before they were old enough to learn to type. But these days you’d have to look far to find an adult writer who doesn’t use a computer. Quite apart from the fact that word processing programs make it easier, most agents and publishers now expect novels to be available electronically. Why employ a typesetter to type the novel out when the author’s already done so?
Then there are the fancy software programs specifically aimed at writers. They can do just about everything except write the novel. I’ve heard a lot of good things about Scrivener for Macs, which seems to be the holy grail of these kind of programs. yWriter, a free program written by author Simon Haynes, sounds similar and one day I’ll check it out. But exploring all the cool features and learning to use it properly would see me sucked into the Bog of Procrastination again, so I’ll stick with Word and my notebook for now. Fancy software would be nice, but it’s not essential.
What else? How-to books? I have a squillion and I love them, good ones and not-so-good ones. Nice to have a couple in the toolbox, but you couldn’t call them essential either.
Then there’s the internet, a great place to get writing advice. So many articles and workshops out there, much of it free. Bucketloads of tips from the experts! You can also “meet” other writers online, share stories from the frontline, even find a crit group. The trouble is that the internet can morph from Writer’s Best Friend to Procrastination Central in the blink of an eyelid. Blink! There goes two hours. Blink, blink! My God, is it time to cook dinner already? Essential tool or bane of existence? “Essential tool” is not looking good.
So maybe a real-life crit group would be a better tool than the internet one? Writers are divided on the subject. Some swear by them, others avoid them like the plague (or like cliches like that one). My writers’ group is a nice bunch, who offer helpful criticism without nastiness. But I can see the potentials for disaster inherent in the idea. And with so many writers working without a crit group or partner, it’s hard to make a case for one being essential.
So far the only essential tool I have on my list is a computer. Pretty short list! What about caffeine, I hear you cry? I’m not so much into coffee, but if I can get my hit from chocolate instead, I’m perfectly willing to declare caffeine an essential part of the writer’s toolkit.
Which brings me to the bath. You don’t see the connection? Then you have never lazed in the bath eating chocolate and drinking tea and had the perfect solution for your latest plot problem fall into your damp lap straight from heaven. It has happened to me several times. While my body is doing wrinkled prune imitations, my mind ambles off and uncovers all sorts of gems lurking in my subconscious. So I’d have to say the bath was an essential writing tool, at least for me. Though if you’re more of a shower person, that can work too. I just zone out better in the tub.
So, my list of essential writing tools:
- computer
- chocolate
- bath
- knife
Knife?? Yes, that’s the other thing I discovered, while chopping carrots with my new sharp knife. Though it doesn’t have to be a knife, it could be a paintbrush or a vacuum cleaner or a hammer. Anything that allows you to perform a mindless, repetitive task. Somewhere in the middle of admiring how easily my new knife laid waste to those carrots, my mind wandered off and left my hands to it, and the answer to a particularly thorny plot problem appeared from nowhere. Which makes my knife a writing tool, as far as I'm concerned!
So that’s my writer’s toolkit. What’s in yours?
Taking the Carnivore to the knife shop is like letting a kid loose in a lolly shop. What is it with men and knives? There must be a Love of All Things Sharp and Pointy gene somewhere in their DNA. All that shiny dangerous steel calls to the caveman inside even the mildest accountant. If only something had been on fire too, he might be there still.
So after I’d talked him down from his steel-induced high and refused to buy the $300 knife, we brought our new knife home. Cooking that night I realised just how blunt the old one had been. The new one sliced through everything so easily it was a joy. It made me conscious again of how much easier jobs are when you have the right tools.
Patchwork, for instance, can be done by drafting blocks on graph paper, making templates, tracing around the templates on the back of every piece of fabric in the quilt, then cutting out with scissors and hand-sewing the pieces together. Which makes you realise why the popular conception of a quilter is a little old lady. It takes that long to make a damn quilt. Thankfully, these days you can buy a rotary cutter and cutting mat, cut out everything more accurately and about ten times faster, and sew it together with a sewing machine. I’m all about instant gratification, so no prizes for guessing which is my preferred method.
So then I started to wonder – what are a writer’s tools? What are the essentials that no writer should be without?
A computer is the most obvious one, of course. Yes, it is possible to write a novel without one. Books were handwritten for centuries, just as quilts were made the traditional way. And I’m sure most writers started off handwriting stories before they were old enough to learn to type. But these days you’d have to look far to find an adult writer who doesn’t use a computer. Quite apart from the fact that word processing programs make it easier, most agents and publishers now expect novels to be available electronically. Why employ a typesetter to type the novel out when the author’s already done so?
Then there are the fancy software programs specifically aimed at writers. They can do just about everything except write the novel. I’ve heard a lot of good things about Scrivener for Macs, which seems to be the holy grail of these kind of programs. yWriter, a free program written by author Simon Haynes, sounds similar and one day I’ll check it out. But exploring all the cool features and learning to use it properly would see me sucked into the Bog of Procrastination again, so I’ll stick with Word and my notebook for now. Fancy software would be nice, but it’s not essential.
What else? How-to books? I have a squillion and I love them, good ones and not-so-good ones. Nice to have a couple in the toolbox, but you couldn’t call them essential either.
Then there’s the internet, a great place to get writing advice. So many articles and workshops out there, much of it free. Bucketloads of tips from the experts! You can also “meet” other writers online, share stories from the frontline, even find a crit group. The trouble is that the internet can morph from Writer’s Best Friend to Procrastination Central in the blink of an eyelid. Blink! There goes two hours. Blink, blink! My God, is it time to cook dinner already? Essential tool or bane of existence? “Essential tool” is not looking good.
So maybe a real-life crit group would be a better tool than the internet one? Writers are divided on the subject. Some swear by them, others avoid them like the plague (or like cliches like that one). My writers’ group is a nice bunch, who offer helpful criticism without nastiness. But I can see the potentials for disaster inherent in the idea. And with so many writers working without a crit group or partner, it’s hard to make a case for one being essential.
So far the only essential tool I have on my list is a computer. Pretty short list! What about caffeine, I hear you cry? I’m not so much into coffee, but if I can get my hit from chocolate instead, I’m perfectly willing to declare caffeine an essential part of the writer’s toolkit.
Which brings me to the bath. You don’t see the connection? Then you have never lazed in the bath eating chocolate and drinking tea and had the perfect solution for your latest plot problem fall into your damp lap straight from heaven. It has happened to me several times. While my body is doing wrinkled prune imitations, my mind ambles off and uncovers all sorts of gems lurking in my subconscious. So I’d have to say the bath was an essential writing tool, at least for me. Though if you’re more of a shower person, that can work too. I just zone out better in the tub.
So, my list of essential writing tools:
- computer
- chocolate
- bath
- knife
Knife?? Yes, that’s the other thing I discovered, while chopping carrots with my new sharp knife. Though it doesn’t have to be a knife, it could be a paintbrush or a vacuum cleaner or a hammer. Anything that allows you to perform a mindless, repetitive task. Somewhere in the middle of admiring how easily my new knife laid waste to those carrots, my mind wandered off and left my hands to it, and the answer to a particularly thorny plot problem appeared from nowhere. Which makes my knife a writing tool, as far as I'm concerned!
So that’s my writer’s toolkit. What’s in yours?
Tuesday, 14 July 2009
Dream a little dream
The Carnivore has this amazingly useful trick. He goes to bed thinking about a work-related problem and during the night dreams the solution. Of course this means that not only does he do boring accounting stuff in his waking hours, but he’s still doing it when he’s asleep. If it were me I think I’d rather stab myself in the eye with a fork, but hey, to each his own. And you’ve got to admit, it’s a very handy trick.
I am insanely jealous. I’ve tried and tried, but it never works for me. Wouldn’t it be cool to untangle the knots of the latest WIP in your sleep? So easy! But no, my unco-operative brain insists on dreaming about public toilets. Night after night, my search for a toilet is foiled. They have no doors, or people are holding parties in them, or …
What’s that you say? You’d rather dream about accounting?
Sigh. It would be nice if we could choose our dreams, wouldn’t it? I used to have interesting dreams. Nowadays my subconscious seems too focused on the messages from my ageing bladder. I don’t know what it was focused on in the days of my T-rex dreams. Probably just the general terror of being responsible for the lives and wellbeing of a number of small people.
I haven’t had it for a couple of years now, but I used to have this recurring dream where there was a tyrannosaurus rex in the backyard. Details changed from dream to dream. Sometimes I was trying to call our stupid dog inside. She was busy barking and ignored me (very realistic dream!) and got eaten. Other times I was already inside when the dinosaur appeared. The crux of every dream was my desperate search for a room in the house where the T-rex wouldn’t be able to see me through the windows and attack.
So I usually ended up locked in the pantry.
The ducklings have heard me describe this dream many times, usually while wearing identical “Good Lord, our mother is a fruitcake” expressions.
Today Demon Duck was describing a dream she had last night. I’ve mentioned before that she and I have very similar senses of humour. We got a lot of giggles out of this one. In her dream she was being eaten by a T-rex.
“You idiot,” I said. “You should have hidden in the pantry!”
I am insanely jealous. I’ve tried and tried, but it never works for me. Wouldn’t it be cool to untangle the knots of the latest WIP in your sleep? So easy! But no, my unco-operative brain insists on dreaming about public toilets. Night after night, my search for a toilet is foiled. They have no doors, or people are holding parties in them, or …
What’s that you say? You’d rather dream about accounting?
Sigh. It would be nice if we could choose our dreams, wouldn’t it? I used to have interesting dreams. Nowadays my subconscious seems too focused on the messages from my ageing bladder. I don’t know what it was focused on in the days of my T-rex dreams. Probably just the general terror of being responsible for the lives and wellbeing of a number of small people.
I haven’t had it for a couple of years now, but I used to have this recurring dream where there was a tyrannosaurus rex in the backyard. Details changed from dream to dream. Sometimes I was trying to call our stupid dog inside. She was busy barking and ignored me (very realistic dream!) and got eaten. Other times I was already inside when the dinosaur appeared. The crux of every dream was my desperate search for a room in the house where the T-rex wouldn’t be able to see me through the windows and attack.
So I usually ended up locked in the pantry.
The ducklings have heard me describe this dream many times, usually while wearing identical “Good Lord, our mother is a fruitcake” expressions.
Today Demon Duck was describing a dream she had last night. I’ve mentioned before that she and I have very similar senses of humour. We got a lot of giggles out of this one. In her dream she was being eaten by a T-rex.
“You idiot,” I said. “You should have hidden in the pantry!”
Monday, 13 July 2009
We interrupt this program
… to bring you a public service announcement. Jacqui Robbins has offered an amusing challenge on her blog: to write the worst possible first sentence for a children’s picture book ever. Is good! Is funny! … is nearly over!
Entries close on the 15th, so I have been slack in not telling you before this. Hop on over and join in the fun. Some of the entries so far require a strong stomach. I’ve had a couple of attempts myself, but I fear I shall never make it as a picture book writer – too wordy. Witness one of my efforts:
"Maybe the smell should have warned him, or the way Tricky Tim sniggered as he held out the bowl, but Greedy Gordon never said no to chocolate ice cream and by the time he realised what he really had in his mouth it was too late."
Jacqui, however, already is a picture book writer, so her sentences are much better, eg:
"Fuzzy the Bunny lived with his Mama Bunny, Papa Bunny, and his sister, Roadkill, in a hutch at the base of a tall oak tree."
Jacqui's new book, Two of a Kind, has just come out, and promises to be full of all sorts of authorial genius. I bet it is even good for you.
And speaking of good for you, I bought a loaf of packaged herb bread to have with dinner tonight. As I prepared to put it in the oven, I noticed the advertising on the pack loudly trumpeted that it was “suitable for vegetarians”.
You know, unlike all those other loaves of bread that are made of meat.
Entries close on the 15th, so I have been slack in not telling you before this. Hop on over and join in the fun. Some of the entries so far require a strong stomach. I’ve had a couple of attempts myself, but I fear I shall never make it as a picture book writer – too wordy. Witness one of my efforts:
"Maybe the smell should have warned him, or the way Tricky Tim sniggered as he held out the bowl, but Greedy Gordon never said no to chocolate ice cream and by the time he realised what he really had in his mouth it was too late."
Jacqui, however, already is a picture book writer, so her sentences are much better, eg:
"Fuzzy the Bunny lived with his Mama Bunny, Papa Bunny, and his sister, Roadkill, in a hutch at the base of a tall oak tree."
Jacqui's new book, Two of a Kind, has just come out, and promises to be full of all sorts of authorial genius. I bet it is even good for you.
And speaking of good for you, I bought a loaf of packaged herb bread to have with dinner tonight. As I prepared to put it in the oven, I noticed the advertising on the pack loudly trumpeted that it was “suitable for vegetarians”.
You know, unlike all those other loaves of bread that are made of meat.
Thursday, 9 July 2009
Shameless self-congratulations AKA Writing Progress
Lookee! My little wordcount widget – the numbers, they are going up again! I’ve written about 4,000 words since I set my new goal. Can you tell I’m pleased with myself? The goal itself changed from “write 500 words every school day” to “be happy with whatever amount you manage to get done instead of feeling guilty because it wasn’t more”. Funnily enough, it still came out at an average of 500 words a day – but the process was much less painful.
Plus I got lots of practice at not guilting, which has got to be a good thing, since my “feel guilty about everything” gene is almost as well-developed as my worrywart gene. Witness the following exchange:
Guilt Complex: Oh Noooes! We’ve only written 286 words today. We are a Failure! We will never get this book finished. Never get published. We will be lying on our deathbed one day saying “if only we had tried harder we could have Achieved Something”. And we promised on our blog to write 500 words a day! Public humiliation!! Death and catastrophe!!!
New Improved Me: Begone, evil spawn of Satan! I refuse to listen to you any more. Tra la la! See? That’s me not listening. So what if I only had time for 286 words? At least I wrote something. I’m enjoying this book again! And ideas are starting to come! All is sunshine and roses!!! And tomorrow is another day, tra la la.
It’s true, ideas are starting to flow. I don’t know if they’ve been lurking in my subconscious all this time I’ve been avoiding the book, but they’re popping up all over the place since I poked a cautious toe into the dark waters of The Novel. Some of them are even good.
I had the most gob-smackingly brilliant one (ahem, even if I do say so myself) last night while I was cooking dinner. That pivotal moment in the finale of the book? The one covered in my sad excuse of an outline by the extremely useful sentence “SOME HUGE COMPLICATION NEEDED HERE”?
I thought of it. And it is brilliant. Totally worth waiting for. Sigh.
Gee, I’m just full of smug today, aren’t I? If you feel the need to go away and barf somewhere, go ahead. I’ll wait.
Back so soon? Let me just squee over one more thing, and then I’ll stop. Promise.
I killed someone!! Not a real someone, I hasten to add. That wouldn’t be squee-worthy. A character in my book. Since I am such a scaredy-cat, I couldn’t face leaping off into the unknown of the last quarter of the book. So I went back to a scene I had previously skipped over. It was a necessary scene, but at the time I couldn’t work up any enthusiasm for it, so I just wrote “K tries to kill A and fails. She and G are captured” and moved on. Faced with the idea-less void of the rest of the book, however, even that much guidance made writing that part an easier choice to ease my way back into the book.
I was plodding through it, busily getting this secondary character out of the way for the big fight, so he’d be free to come back and rescue my heroine from captivity later, when it occurred to me that it would be much better if the heroine rescued herself and gee, wouldn’t it be fun to actually kill this guy instead. Immediately that scene became much more attractive to write, plus the implications for the rest of the plot started bouncing around, sparking new ideas left, right and centre. I may even become a mass-murderer, I enjoyed it so much.
But you know what the best thing about my new writing goal is? It’s made me remember that writing is fun. Take that, guilt complex!
Plus I got lots of practice at not guilting, which has got to be a good thing, since my “feel guilty about everything” gene is almost as well-developed as my worrywart gene. Witness the following exchange:
Guilt Complex: Oh Noooes! We’ve only written 286 words today. We are a Failure! We will never get this book finished. Never get published. We will be lying on our deathbed one day saying “if only we had tried harder we could have Achieved Something”. And we promised on our blog to write 500 words a day! Public humiliation!! Death and catastrophe!!!
New Improved Me: Begone, evil spawn of Satan! I refuse to listen to you any more. Tra la la! See? That’s me not listening. So what if I only had time for 286 words? At least I wrote something. I’m enjoying this book again! And ideas are starting to come! All is sunshine and roses!!! And tomorrow is another day, tra la la.
It’s true, ideas are starting to flow. I don’t know if they’ve been lurking in my subconscious all this time I’ve been avoiding the book, but they’re popping up all over the place since I poked a cautious toe into the dark waters of The Novel. Some of them are even good.
I had the most gob-smackingly brilliant one (ahem, even if I do say so myself) last night while I was cooking dinner. That pivotal moment in the finale of the book? The one covered in my sad excuse of an outline by the extremely useful sentence “SOME HUGE COMPLICATION NEEDED HERE”?
I thought of it. And it is brilliant. Totally worth waiting for. Sigh.
Gee, I’m just full of smug today, aren’t I? If you feel the need to go away and barf somewhere, go ahead. I’ll wait.
Back so soon? Let me just squee over one more thing, and then I’ll stop. Promise.
I killed someone!! Not a real someone, I hasten to add. That wouldn’t be squee-worthy. A character in my book. Since I am such a scaredy-cat, I couldn’t face leaping off into the unknown of the last quarter of the book. So I went back to a scene I had previously skipped over. It was a necessary scene, but at the time I couldn’t work up any enthusiasm for it, so I just wrote “K tries to kill A and fails. She and G are captured” and moved on. Faced with the idea-less void of the rest of the book, however, even that much guidance made writing that part an easier choice to ease my way back into the book.
I was plodding through it, busily getting this secondary character out of the way for the big fight, so he’d be free to come back and rescue my heroine from captivity later, when it occurred to me that it would be much better if the heroine rescued herself and gee, wouldn’t it be fun to actually kill this guy instead. Immediately that scene became much more attractive to write, plus the implications for the rest of the plot started bouncing around, sparking new ideas left, right and centre. I may even become a mass-murderer, I enjoyed it so much.
But you know what the best thing about my new writing goal is? It’s made me remember that writing is fun. Take that, guilt complex!
Wednesday, 1 July 2009
"Should" is a dirty word
Yesterday was my blog’s first birthday. Way to go, little fella! Can’t believe you made it!
When I told the ducklings it was my blog’s birthday, Baby Duck asked, “What’s a blob’s birthday, Mama?” He couldn’t understand why his sisters cracked up. That child is just made of cute.
I hesitated for a long time before starting this blog. I was afraid that I’d lose interest and it would go the way of so many – initial posts full of enthusiasm, gradually petering out into silence. But I cleverly got around that problem by being a slack poster from the beginning. Such forethought!
I wondered if I could think of enough things to write about. Fortunately I have the ducklings to help there – they provide plenty of inspiration with their funny ways.
I used to be a mad keen scrapbooker. For a few years there our lives were obsessively documented. The ducklings couldn’t sneeze without me shoving a camera in their face to capture the moment forever. These days I’ve gone back to quilting and writing, but at least if scrapbooking gains the ascendancy again I’ll have plenty of readymade journalling from the ducklings’ bloggy exploits.
Not that those exploits have been comprehensively covered by any means. I remember one of my goals at the beginning of the year was to blog twice a week, and that certainly hasn’t happened. No one could accuse me of being a speed demon.
I’d like to blog more. I feel I should blog more, though it’s just something I do for fun. Why do I feel like that? Life seems full of worthwhile things that it should be easy to fit in, like brush your teeth for three minutes, exercise at least 20 minutes every day, wipe down the shower and sink after your morning shower so it’s not such a big job later. Yet if you added up all these “just a few minutes” activities you’d need about 40 hours in every day. And so we all seem to run around, perpetually behind where we think we should be up to, doomed to feeling like slackers forever.
I set some writing goals in January. Assessing my progress so far, I can see it’s a bit of a mixed bag. I haven’t gone back to the revision of Man Bites Dog, and I certainly haven’t completed the first draft of Dragonheart. I have written more short stories and even submitted two. Yes, a whole two. Please try to contain your excitement.
I was also hoping to establish a daily writing routine. It wasn’t going too badly till personal things reared up and threw my concentration into disarray. Still struggling with that one, but hoping for improvement soon.
Note that I cleverly didn’t include “participate in Nano 2009” as a goal. Much as I love Nano, I’m starting to think another Nano this year might be a bad idea. I can see a classic “non-finishing” pattern emerging: Nano 2007, start first draft of Man Bites Dog, but don’t have time to revise and complete before – Nano 2008, start first draft of Dragonheart, but don’t have time to revise and complete before – Nano 2009, start first draft etc, etc. You get the picture.
I blame my three-second attention span. My life is filled to bursting with unfinished projects, and it drives me nuts. Three seconds? Who am I kidding? That’s waaaay too generous.
One of my non-writing goals was to declutter the house, but I think first I need to declutter myself. All this incompleteness is weighing me down. I wish I could get a working attention span. Would anyone care to swap? Mine’s quite cute, so tiny and decorative. I need a big honking industrial-strength model to get through all the stuff I’ve left hanging over the years.
In recent years I’ve even had trouble finishing reading books, let alone writing them. There’s been a pile of half-read books on my coffee table for over a year, often as many as a dozen books high, all with bookmarks shoved into them. One had been there so long that when I removed the bookmark I discovered it had changed colour. The part inside the book was still dark green, but the part sticking out had been bleached by the sun for so long the shade was half its former strength.
For months I’d looked at that stack of books, thought, Nah, don’t feel like reading any of those, and gone and started another one. Sometimes I finished them. Often they just joined the growing pile. When the guilt got too much, or the pile threatened to topple over, I might finish one, but it never made much difference. The pile had almost achieved sentience, it had been there so long.
I knew I didn’t want to read them, but I couldn’t bring myself to give up and put them away. They were unfinished projects, clogging my mental to-do list, depressing me every time I saw them. Just one more thing I knew I should do.
I know a mother’s work is never done. Jobs waiting to be done everywhere you look is pretty normal in most people’s lives, I guess. But how silly is it to let your leisure activities become a burden of guilt, to see the books you read, supposedly for enjoyment, as a chore hanging over your head?
So I finally took my attention span aside and gave it a good talking to, woman to woman.
“Admit it,” I said, “you are never going to finish reading those books.”
“I might,” it whined, giving me those big puppy-dog eyes. “At one stage I really wanted to read them, and you never know when that feeling might come back. Could be any millenium now.”
“Don’t give me that crap. Look at this one – the bookmark has changed colour, it’s been there so long! And what about this one? You can’t even remember what the book is about any more. You’d have to go back and start at the beginning anyway!”
“But I really enjoyed the first one in that trilogy. I’m sure I’ll get into again if I just … Hey, look over there!”
“What? Over where?”
“There! Look – new! Shiny!”
And that was about it for my attention span. But I refused to admit defeat. Time to bite the bullet, turn over a new leaf, take the first step on the long road to Organised Me. Or at least Slightly Less Maddening Me. Time to wean myself away from should.
So I did it. I took all the bookmarks out of those books. Oh, the pain! Then I lumped those suckers downstairs and banished them to the bookshelves, never to be guilted over again. And it was ridiculous, what a feeling of release such a tiny act gave me.
So, we’re trying, me and the teeny tiny attention span. Trying to let go of so many shoulds, to make more time for the ones that really matter. Trying to make easier goals. My new writing goal is to write only 500 words a day on school days, instead of 1,000. Yeah, I should be able to write 1,000 words in a day, but so often I don’t and then I feel all hopeless and disappointed with myself. So time to be kinder and more understanding of the teeny tiny attention span.
I doubt we will ever metamorphose into a frequent blogger, the attention span and I, but then, I’ve decided that “should” is a dirty word. And I never thought I’d be wishing you happy birthday, dear blog, so you never know.
Many happy returns.
When I told the ducklings it was my blog’s birthday, Baby Duck asked, “What’s a blob’s birthday, Mama?” He couldn’t understand why his sisters cracked up. That child is just made of cute.
I hesitated for a long time before starting this blog. I was afraid that I’d lose interest and it would go the way of so many – initial posts full of enthusiasm, gradually petering out into silence. But I cleverly got around that problem by being a slack poster from the beginning. Such forethought!
I wondered if I could think of enough things to write about. Fortunately I have the ducklings to help there – they provide plenty of inspiration with their funny ways.
I used to be a mad keen scrapbooker. For a few years there our lives were obsessively documented. The ducklings couldn’t sneeze without me shoving a camera in their face to capture the moment forever. These days I’ve gone back to quilting and writing, but at least if scrapbooking gains the ascendancy again I’ll have plenty of readymade journalling from the ducklings’ bloggy exploits.
Not that those exploits have been comprehensively covered by any means. I remember one of my goals at the beginning of the year was to blog twice a week, and that certainly hasn’t happened. No one could accuse me of being a speed demon.
I’d like to blog more. I feel I should blog more, though it’s just something I do for fun. Why do I feel like that? Life seems full of worthwhile things that it should be easy to fit in, like brush your teeth for three minutes, exercise at least 20 minutes every day, wipe down the shower and sink after your morning shower so it’s not such a big job later. Yet if you added up all these “just a few minutes” activities you’d need about 40 hours in every day. And so we all seem to run around, perpetually behind where we think we should be up to, doomed to feeling like slackers forever.
I set some writing goals in January. Assessing my progress so far, I can see it’s a bit of a mixed bag. I haven’t gone back to the revision of Man Bites Dog, and I certainly haven’t completed the first draft of Dragonheart. I have written more short stories and even submitted two. Yes, a whole two. Please try to contain your excitement.
I was also hoping to establish a daily writing routine. It wasn’t going too badly till personal things reared up and threw my concentration into disarray. Still struggling with that one, but hoping for improvement soon.
Note that I cleverly didn’t include “participate in Nano 2009” as a goal. Much as I love Nano, I’m starting to think another Nano this year might be a bad idea. I can see a classic “non-finishing” pattern emerging: Nano 2007, start first draft of Man Bites Dog, but don’t have time to revise and complete before – Nano 2008, start first draft of Dragonheart, but don’t have time to revise and complete before – Nano 2009, start first draft etc, etc. You get the picture.
I blame my three-second attention span. My life is filled to bursting with unfinished projects, and it drives me nuts. Three seconds? Who am I kidding? That’s waaaay too generous.
One of my non-writing goals was to declutter the house, but I think first I need to declutter myself. All this incompleteness is weighing me down. I wish I could get a working attention span. Would anyone care to swap? Mine’s quite cute, so tiny and decorative. I need a big honking industrial-strength model to get through all the stuff I’ve left hanging over the years.
In recent years I’ve even had trouble finishing reading books, let alone writing them. There’s been a pile of half-read books on my coffee table for over a year, often as many as a dozen books high, all with bookmarks shoved into them. One had been there so long that when I removed the bookmark I discovered it had changed colour. The part inside the book was still dark green, but the part sticking out had been bleached by the sun for so long the shade was half its former strength.
For months I’d looked at that stack of books, thought, Nah, don’t feel like reading any of those, and gone and started another one. Sometimes I finished them. Often they just joined the growing pile. When the guilt got too much, or the pile threatened to topple over, I might finish one, but it never made much difference. The pile had almost achieved sentience, it had been there so long.
I knew I didn’t want to read them, but I couldn’t bring myself to give up and put them away. They were unfinished projects, clogging my mental to-do list, depressing me every time I saw them. Just one more thing I knew I should do.
I know a mother’s work is never done. Jobs waiting to be done everywhere you look is pretty normal in most people’s lives, I guess. But how silly is it to let your leisure activities become a burden of guilt, to see the books you read, supposedly for enjoyment, as a chore hanging over your head?
So I finally took my attention span aside and gave it a good talking to, woman to woman.
“Admit it,” I said, “you are never going to finish reading those books.”
“I might,” it whined, giving me those big puppy-dog eyes. “At one stage I really wanted to read them, and you never know when that feeling might come back. Could be any millenium now.”
“Don’t give me that crap. Look at this one – the bookmark has changed colour, it’s been there so long! And what about this one? You can’t even remember what the book is about any more. You’d have to go back and start at the beginning anyway!”
“But I really enjoyed the first one in that trilogy. I’m sure I’ll get into again if I just … Hey, look over there!”
“What? Over where?”
“There! Look – new! Shiny!”
And that was about it for my attention span. But I refused to admit defeat. Time to bite the bullet, turn over a new leaf, take the first step on the long road to Organised Me. Or at least Slightly Less Maddening Me. Time to wean myself away from should.
So I did it. I took all the bookmarks out of those books. Oh, the pain! Then I lumped those suckers downstairs and banished them to the bookshelves, never to be guilted over again. And it was ridiculous, what a feeling of release such a tiny act gave me.
So, we’re trying, me and the teeny tiny attention span. Trying to let go of so many shoulds, to make more time for the ones that really matter. Trying to make easier goals. My new writing goal is to write only 500 words a day on school days, instead of 1,000. Yeah, I should be able to write 1,000 words in a day, but so often I don’t and then I feel all hopeless and disappointed with myself. So time to be kinder and more understanding of the teeny tiny attention span.
I doubt we will ever metamorphose into a frequent blogger, the attention span and I, but then, I’ve decided that “should” is a dirty word. And I never thought I’d be wishing you happy birthday, dear blog, so you never know.
Many happy returns.
Wednesday, 24 June 2009
When too much choice is Not a Good Thing
In the beginning, there was Breakfast. And it was good and wholesome, and the children thrived. And the mother smiled, and there was peace in the household.
And then one day, alas! TV, the Great Tempter, whispered unto the children, “The mother seeks to keep you in ignorance, that you may not know the joys of multicoloured breakfast cereals. For behold, they come in many flavours, all of them sugar-laden, and yea, though they may be bereft of all nutrition, yet are they pleasing to the palate.”
And the children looked, and saw that all that the TV spake was true, even unto the chocolate-flavoured cereals, and there was much weeping and gnashing of teeth.
So the mother, moved by the piteous cries of her children, relented and said that they might have the cereals of many colours on weekends only. But still the children wailed, so the mother allowed the cereals of tooth decay and damnation for the whole school holildays as well, yet still the children were not comforted.
So the mother went in search of the Holy Grail – the cereal that would delight her children with its taste while still pleasing in its nutritional value. Alas! though the mother trod the grocery aisles till her feet bled, the Holy Grail eluded her, and though she offered many a compromise to her children, still nothing pleased them as the Cereals of Decay and Damnation had.
And so it came to pass that the pantry filled up with half-eaten boxes of cereal, even unto the width of the top shelf, and also with many tins of different types of spaghetti and beans. And the freezer did groan under the weight of different styles of bread, to tempt the children’s appetites.
And Breakfast, once so wholesome and pleasing, became a time of great trial for the mother and the father. Though the breakfast offerings were as numerous as the stars or the grains of sand on the shore, still the children looked on them and were displeased.
And they took a damn long time making up their minds, too.
Scene: Demon Duck’s bedroom. Demon Duck is sloooowly dressing for school.
Normal Sane Mother: What would you like for breakfast?
Demon Duck: Mutter mutter.
Normal Sane Mother: Pardon?
Demon Duck (sullen): Peanut butter on microwaved bread.
Normal Sane Mother: What’s that face for?
Demon Duck (emoting): Cause I’ve had it every day for a week!
[Evidence is mounting that the wrong child is nicknamed Drama Duck.]
Normal Sane Mother: Then have something else. Have spaghetti, or weetbix.
Demon Duck (tragic): All right. I’ll have mutter mutter.
[In the blink of an eye, Normal Sane Mother transforms into Screaming Banshee Woman. The look of surprise on Demon Duck’s face would be funny if Screaming Banshee Woman wasn’t too busy bursting blood vessels to appreciate humour.]
Screaming Banshee Woman (at top of lungs): Just … [last remnants of sanity engage in desperate scramble to prevent Bad Words coming out] TELL ME what you want for breakfast so I can HEAR YOU without all this MUMBLING!!!!
[Screaming Banshee Woman exits, in direction of kitchen, though not before fighting down a powerful urge to punch the wall.]
Enter Baby Duck.
Seething Mother: What would you like for breakfast?
Baby Duck: Toast with peanut butter.
Seething Mother (speaking from bitter experience): Do you mean toast or microwaved bread?
Baby Duck (for at least the 183rd time): Confused expression
Seething Mother: It’s not that difficult. Microwaved bread is soft. We do it in the microwave and it’s bread. Toast goes in the toaster and it’s hard and brown and it’s TOAST. WHICH ONE do you want?
Then the mother saw the light, and in a mighty voice spoke unto the children: “From this day forth, let all partake of the Weetbix for breakfast, that all may know its nutritional blessing, and that peace may once again descend on our household.”
And there was much weeping and lamenting for the lost pleasures of Spending Hours Each Morning Choosing What to Have for Breakfast. But the mother looked on the children’s sorrow and was unmoved.
See? Lots of choice isn’t always a good thing.
Tomorrow breakfast will be nutritious and calm. Calm as in everyone will be too busy directing burning looks of bitter resentment at their Loathsome Mother to speak. She will have to wear her special Anti-Venomous-Looks Armour.
And yes, I am feeling a little stressed lately. Why do you ask?
And then one day, alas! TV, the Great Tempter, whispered unto the children, “The mother seeks to keep you in ignorance, that you may not know the joys of multicoloured breakfast cereals. For behold, they come in many flavours, all of them sugar-laden, and yea, though they may be bereft of all nutrition, yet are they pleasing to the palate.”
And the children looked, and saw that all that the TV spake was true, even unto the chocolate-flavoured cereals, and there was much weeping and gnashing of teeth.
So the mother, moved by the piteous cries of her children, relented and said that they might have the cereals of many colours on weekends only. But still the children wailed, so the mother allowed the cereals of tooth decay and damnation for the whole school holildays as well, yet still the children were not comforted.
So the mother went in search of the Holy Grail – the cereal that would delight her children with its taste while still pleasing in its nutritional value. Alas! though the mother trod the grocery aisles till her feet bled, the Holy Grail eluded her, and though she offered many a compromise to her children, still nothing pleased them as the Cereals of Decay and Damnation had.
And so it came to pass that the pantry filled up with half-eaten boxes of cereal, even unto the width of the top shelf, and also with many tins of different types of spaghetti and beans. And the freezer did groan under the weight of different styles of bread, to tempt the children’s appetites.
And Breakfast, once so wholesome and pleasing, became a time of great trial for the mother and the father. Though the breakfast offerings were as numerous as the stars or the grains of sand on the shore, still the children looked on them and were displeased.
And they took a damn long time making up their minds, too.
Scene: Demon Duck’s bedroom. Demon Duck is sloooowly dressing for school.
Normal Sane Mother: What would you like for breakfast?
Demon Duck: Mutter mutter.
Normal Sane Mother: Pardon?
Demon Duck (sullen): Peanut butter on microwaved bread.
Normal Sane Mother: What’s that face for?
Demon Duck (emoting): Cause I’ve had it every day for a week!
[Evidence is mounting that the wrong child is nicknamed Drama Duck.]
Normal Sane Mother: Then have something else. Have spaghetti, or weetbix.
Demon Duck (tragic): All right. I’ll have mutter mutter.
[In the blink of an eye, Normal Sane Mother transforms into Screaming Banshee Woman. The look of surprise on Demon Duck’s face would be funny if Screaming Banshee Woman wasn’t too busy bursting blood vessels to appreciate humour.]
Screaming Banshee Woman (at top of lungs): Just … [last remnants of sanity engage in desperate scramble to prevent Bad Words coming out] TELL ME what you want for breakfast so I can HEAR YOU without all this MUMBLING!!!!
[Screaming Banshee Woman exits, in direction of kitchen, though not before fighting down a powerful urge to punch the wall.]
Enter Baby Duck.
Seething Mother: What would you like for breakfast?
Baby Duck: Toast with peanut butter.
Seething Mother (speaking from bitter experience): Do you mean toast or microwaved bread?
Baby Duck (for at least the 183rd time): Confused expression
Seething Mother: It’s not that difficult. Microwaved bread is soft. We do it in the microwave and it’s bread. Toast goes in the toaster and it’s hard and brown and it’s TOAST. WHICH ONE do you want?
Then the mother saw the light, and in a mighty voice spoke unto the children: “From this day forth, let all partake of the Weetbix for breakfast, that all may know its nutritional blessing, and that peace may once again descend on our household.”
And there was much weeping and lamenting for the lost pleasures of Spending Hours Each Morning Choosing What to Have for Breakfast. But the mother looked on the children’s sorrow and was unmoved.
See? Lots of choice isn’t always a good thing.
Tomorrow breakfast will be nutritious and calm. Calm as in everyone will be too busy directing burning looks of bitter resentment at their Loathsome Mother to speak. She will have to wear her special Anti-Venomous-Looks Armour.
And yes, I am feeling a little stressed lately. Why do you ask?
Thursday, 18 June 2009
The Adventures of Sparklebum
I realise it’s childish of me, but just typing that title makes me smile. Imagine how much fun I’m going to have writing the story!
Drama Duck was wearing a pair of glittery jeans the other day and I started calling her Sparklebum. This led to a very silly conversation where we decided that Sparklebum would make a great name for a fairy. Poor Sparklebum! The other fairies twinkled all over, but alas! her twinkles were confined to just one spot …
We agreed that we’d both write a story featuring the adventures of Sparklebum. There’s nothing like a hint of competition to get the creative juices flowing! Baby Duck was keen to help too, though his contributions were mainly along the lines of “and then Sparklebum did a really big sparkly smell and saved all the other fairies”. Small boys and toilet humour = a match made in heaven.
I was thinking of having Sparklebum being the only fairy able to save fairyland because of her peculiarities. Your typical “and then all the other fairies learned to accept Sparklebum just as she was” thing. But then I thought … naaah. Forget parental propaganda. Let’s have some fun. Let’s make her really naughty.
So I don’t know where Sparklebum is going to end up. I had the first line of The Hobbit running through my head yesterday, so this is where she starts at the moment:
Okay, Drama Duck, over to you.
For fear that my ten-year-old may outdo me, more helpful suggestions for Sparklebum’s adventures than Baby Duck’s will be warmly welcomed in the comments …
Drama Duck was wearing a pair of glittery jeans the other day and I started calling her Sparklebum. This led to a very silly conversation where we decided that Sparklebum would make a great name for a fairy. Poor Sparklebum! The other fairies twinkled all over, but alas! her twinkles were confined to just one spot …
We agreed that we’d both write a story featuring the adventures of Sparklebum. There’s nothing like a hint of competition to get the creative juices flowing! Baby Duck was keen to help too, though his contributions were mainly along the lines of “and then Sparklebum did a really big sparkly smell and saved all the other fairies”. Small boys and toilet humour = a match made in heaven.
I was thinking of having Sparklebum being the only fairy able to save fairyland because of her peculiarities. Your typical “and then all the other fairies learned to accept Sparklebum just as she was” thing. But then I thought … naaah. Forget parental propaganda. Let’s have some fun. Let’s make her really naughty.
So I don’t know where Sparklebum is going to end up. I had the first line of The Hobbit running through my head yesterday, so this is where she starts at the moment:
“In a hole in a tree there lived a fairy. It was a very large hole for such a small creature; it could easily have fit a whole family of owls or possums, but Sparklebum lived there alone. The fairy council had thrown her out of Daffodillia when she was only little, which seems cruel, but it was either that or nobody in the fairy city would ever have got a wink of sleep again, due to
Sparklebum’s rather unfortunate affliction.”
Okay, Drama Duck, over to you.
For fear that my ten-year-old may outdo me, more helpful suggestions for Sparklebum’s adventures than Baby Duck’s will be warmly welcomed in the comments …
Thursday, 11 June 2009
Methuselah, eat your heart out
I remember when I was a kid, how old everyone over the age of, say, 14, was. Twenty-year-olds were indistinguishable from 60-year-olds. They all just belonged to the category “ancient”. I’d be reading the newspaper and find some story about a 25-year-old killed in a car crash and think, “Oh well, at least it wasn’t anybody young. At least she’d lived.”
Baby Duck made a birthday card for his beloved teacher last term. She can’t be any more than late twenties, if that. He drew a careful picture of her blowing out her candles on the front of the card. The candles were those ones you get in the shape of numbers.
“How old do you think Mrs F is?” I asked.
“I don’t know,” he said, “so I just picked a really big number.”
The numbers said “81”.
The other day he was eating a bowl of grapes and I took one. Very magnanimously, he offered to share the bowl. Mindful of all that positive parenting advice that says you should praise behaviour you would like to encourage, I told him how kind he was to share.
“I want to be really nice to you while I still can,” he confided.
“Do you mean before you grow up and move out?” I asked.
“Mmm. And before you die.”
Guess I’d better book my spot in the retirement village soon. Fortunately for my battered ego, Demon Duck was given an email account at school last week. She spent the weekend emailing sweet messages to everyone she could think of.
One of the ones I received said:
“i love you mummy. it's like you are a star and i am a twinkle. when we get together we shimmer and shine. that's why i love you so much.”
Much better to be a star than hovering on the brink of death! I feel better already.
Baby Duck made a birthday card for his beloved teacher last term. She can’t be any more than late twenties, if that. He drew a careful picture of her blowing out her candles on the front of the card. The candles were those ones you get in the shape of numbers.
“How old do you think Mrs F is?” I asked.
“I don’t know,” he said, “so I just picked a really big number.”
The numbers said “81”.
The other day he was eating a bowl of grapes and I took one. Very magnanimously, he offered to share the bowl. Mindful of all that positive parenting advice that says you should praise behaviour you would like to encourage, I told him how kind he was to share.
“I want to be really nice to you while I still can,” he confided.
“Do you mean before you grow up and move out?” I asked.
“Mmm. And before you die.”
Guess I’d better book my spot in the retirement village soon. Fortunately for my battered ego, Demon Duck was given an email account at school last week. She spent the weekend emailing sweet messages to everyone she could think of.
One of the ones I received said:
“i love you mummy. it's like you are a star and i am a twinkle. when we get together we shimmer and shine. that's why i love you so much.”
Much better to be a star than hovering on the brink of death! I feel better already.
Friday, 29 May 2009
Drama Duck and the $327 hair-washing hose
You’ve seen them before. You may even have one in your home – those short rubber hoses with a thing like a shower head on one end and something on the other end to attach to your tap’s spout. You use them for washing kids’ (or pets’) hair in the tub.
I bet yours didn’t cost $327, though.
I saw one in the supermarket recently and thought how handy it would be for washing the kids’ hair in the bath. Better than the little red toy bucket we normally use to scoop already-soapy water over their soapy heads for rinsing. This could provide non-soapy, temperature-controlled water. A luxury experience!
Admittedly, I did hesitate for a moment. Not at the price – it was only about $7. But my friend who cuts our hair has one, and when she comes to our house to do hair, the only tap hers fits is the one in the laundry sink. But the packaging on this one said “fits most taps!” in big, confident letters, so I trustingly put it in my trolley.
“Look what I’ve got!” Full of enthusiasm, I display new fit-most-taps hose to ducklings.
“Cool!” says Drama Duck. “Can I see if it fits?”
“Sure,” I say. What could go wrong?
Drama Duck disappears to bathroom, where she attempts to ram the very small fit-most-taps fitting on to the very large distinctly-not-fitting tap. Undeterred, she twists evil, lying fitting back and forth, trying to somehow screw it on to persistently oversized spout of bath tap.
Moments later Drama Duck reappears with that “uh-oh” look on her face that every parent knows.
“I’m really sorry, Mummy,” she says, holding out the spout, which has sheared off the wall in a distressingly non-fixable way.
She’s clearly expecting to be roused on, but I’m so impressed at this bizarre feat of strength all I can do is laugh.
Of course, the plumber’s bill to instal a new tap was less funny. We are now the proud owners of the most expensive metre of rubber tubing in history.
I bet yours didn’t cost $327, though.
I saw one in the supermarket recently and thought how handy it would be for washing the kids’ hair in the bath. Better than the little red toy bucket we normally use to scoop already-soapy water over their soapy heads for rinsing. This could provide non-soapy, temperature-controlled water. A luxury experience!
Admittedly, I did hesitate for a moment. Not at the price – it was only about $7. But my friend who cuts our hair has one, and when she comes to our house to do hair, the only tap hers fits is the one in the laundry sink. But the packaging on this one said “fits most taps!” in big, confident letters, so I trustingly put it in my trolley.
“Look what I’ve got!” Full of enthusiasm, I display new fit-most-taps hose to ducklings.
“Cool!” says Drama Duck. “Can I see if it fits?”
“Sure,” I say. What could go wrong?
Drama Duck disappears to bathroom, where she attempts to ram the very small fit-most-taps fitting on to the very large distinctly-not-fitting tap. Undeterred, she twists evil, lying fitting back and forth, trying to somehow screw it on to persistently oversized spout of bath tap.
Moments later Drama Duck reappears with that “uh-oh” look on her face that every parent knows.
“I’m really sorry, Mummy,” she says, holding out the spout, which has sheared off the wall in a distressingly non-fixable way.
She’s clearly expecting to be roused on, but I’m so impressed at this bizarre feat of strength all I can do is laugh.
Of course, the plumber’s bill to instal a new tap was less funny. We are now the proud owners of the most expensive metre of rubber tubing in history.
Wednesday, 20 May 2009
How do I know what I know?
Pandababy reviewed The Stars Blue Yonder by Sandra McDonald recently. It’s a fantasy set in Australia. I’ve read a few fantasies set in Australia, and this one sounds good, but normally I avoid them. To me, Australia is too ordinary to be interesting. Pandababy, on the other hand, is fascinated by Australia and Australians. What is ordinary to me is exotic to her and vice versa.
This led me to think some more about the old “write what you know” maxim. I’m a “virtual” traveller. I love to read stories that immerse me in some foreign culture or historic time. Bring on the geishas, the slave plantations of the deep South, bring on the Mongol hordes or the denizens of Edinburgh, or Toronto, or New Delhi – anywhere, really, except here. When I read I want to be transported to another place, to experience another way of life. I guess that’s why I like fantasy so much. It doesn’t get much further from reality than dragons and magic and impossible quests.
I can see, of course, that to someone who doesn’t live here, Australia is just as exotic and enchanting as these other places are to me. I can see that if I wrote “Australian” stories they could be fascinating to someone else, though they might seem “ordinary” to me. The problem would be determining what exactly gave them that Australian flavour.
Assume that I’m not talking about a story full of kangaroos and Uluru and the Sydney Opera House, the very obviously “Australian” things. I just mean a regular kind of story, with an Australian feel that makes it different to an American/Canadian/Indian-feeling story. If I write what I know, how do I know what’s “Australian” and what’s something everybody knows? To me, what I know is just “life”. Not having lived anywhere else, I don’t know which parts of that life are particularly Australian, and which are universal.
Confused yet? Let me give you an example. I’ve just discovered Joshilyn Jackson’s hugely entertaining blog, Faster than Kudzu. I’ve been visiting her blog every day for the last few weeks, laughing myself silly at her sense of humour, but every day I stared at that blog title and went “what the??” .
Kudzu. Maybe some kind of martial art? Or some fiendishly difficult mental game like sudoku? Finally it got too much for me and I googled it. Apparently it’s some kind of super-plant that infests all the southern states of America. In peak growing season it can grow a foot a day. My eyes were nearly falling out of my head reading about it. You’re kidding! People have to shut their windows at night to keep this stuff out? And it’s called “mile-a-minute” plant??? Wow! That’s so amazing!
So here I am, oohing and aahing over a noxious weed that probably every five-year-old in America knows about. The “faster than kudzu” reference now becomes clear – a reference that to Jackson needed no explanation, because it’s part of her “ordinary” landscape, but to me was impossibly foreign.
Once the Carnivore and I were taking some visiting Americans around town. He suggested they might enjoy a wander through the Botanical Gardens and a stickybeak at the harbour.
One of them looked alarmed at this. “Er … my wife doesn’t drink.”
He thought “stickybeak” meant something like “to wet your beak” and the Carnivore was suggesting we go for a drink. To "have a stickybeak at" means to look at something. Till that moment I hadn’t realised it wasn’t a universal expression.
So when I’m writing, how do I write what’s uniquely Australian? How do I know what my kudzu is?
Not that I’m getting my knickers in a twist over it (is that an Australian expression or not?). It’s just something I’ve been thinking about. To write what I know, first I have to know what I know that’s different from what everyone else knows. It sounds like something out of Gilbert and Sullivan. “A paradox, a paradox, a most ingenious paradox …”
This led me to think some more about the old “write what you know” maxim. I’m a “virtual” traveller. I love to read stories that immerse me in some foreign culture or historic time. Bring on the geishas, the slave plantations of the deep South, bring on the Mongol hordes or the denizens of Edinburgh, or Toronto, or New Delhi – anywhere, really, except here. When I read I want to be transported to another place, to experience another way of life. I guess that’s why I like fantasy so much. It doesn’t get much further from reality than dragons and magic and impossible quests.
I can see, of course, that to someone who doesn’t live here, Australia is just as exotic and enchanting as these other places are to me. I can see that if I wrote “Australian” stories they could be fascinating to someone else, though they might seem “ordinary” to me. The problem would be determining what exactly gave them that Australian flavour.
Assume that I’m not talking about a story full of kangaroos and Uluru and the Sydney Opera House, the very obviously “Australian” things. I just mean a regular kind of story, with an Australian feel that makes it different to an American/Canadian/Indian-feeling story. If I write what I know, how do I know what’s “Australian” and what’s something everybody knows? To me, what I know is just “life”. Not having lived anywhere else, I don’t know which parts of that life are particularly Australian, and which are universal.
Confused yet? Let me give you an example. I’ve just discovered Joshilyn Jackson’s hugely entertaining blog, Faster than Kudzu. I’ve been visiting her blog every day for the last few weeks, laughing myself silly at her sense of humour, but every day I stared at that blog title and went “what the??” .
Kudzu. Maybe some kind of martial art? Or some fiendishly difficult mental game like sudoku? Finally it got too much for me and I googled it. Apparently it’s some kind of super-plant that infests all the southern states of America. In peak growing season it can grow a foot a day. My eyes were nearly falling out of my head reading about it. You’re kidding! People have to shut their windows at night to keep this stuff out? And it’s called “mile-a-minute” plant??? Wow! That’s so amazing!
So here I am, oohing and aahing over a noxious weed that probably every five-year-old in America knows about. The “faster than kudzu” reference now becomes clear – a reference that to Jackson needed no explanation, because it’s part of her “ordinary” landscape, but to me was impossibly foreign.
Once the Carnivore and I were taking some visiting Americans around town. He suggested they might enjoy a wander through the Botanical Gardens and a stickybeak at the harbour.
One of them looked alarmed at this. “Er … my wife doesn’t drink.”
He thought “stickybeak” meant something like “to wet your beak” and the Carnivore was suggesting we go for a drink. To "have a stickybeak at" means to look at something. Till that moment I hadn’t realised it wasn’t a universal expression.
So when I’m writing, how do I write what’s uniquely Australian? How do I know what my kudzu is?
Not that I’m getting my knickers in a twist over it (is that an Australian expression or not?). It’s just something I’ve been thinking about. To write what I know, first I have to know what I know that’s different from what everyone else knows. It sounds like something out of Gilbert and Sullivan. “A paradox, a paradox, a most ingenious paradox …”
Friday, 8 May 2009
Confessions of a worrywart
My mother has a black belt in worrying. Nothing is too large or too small for her to fret over, and if she has nothing to worry about, well, she just dreams something up.
It’s possible I may have inherited a tiny little smidge of this worry gene. I’m nowhere near her level of expertise, and I do try to keep it under control, but it’s not easy. “Hello, my name is Marina and I’m a worrywart.”
It also seems to be infectious. The Carnivore will occasionally give me an accusing glance and say, “I never used to worry about things like [insert trivial thing here] before I met you.”
It’s certainly been worse since I had children. I worry about every little facet of their lives. I worry that they’ll turn out like me. I worry that they won’t.
It seems as if the girls may be turning into sportswomen. Nothing could be more astonishing to me. If they grew wings or sprouted an extra head I wouldn’t be more surprised. There are rocks that are more interested in sports than me. And yet here they are, both keen and competent netballers. And today they had their first tennis lessons and loved it.
I would think that there must have been some mix-up at the hospital and I accidentally brought the wrong babies home, except …
Yeah, I worried about that too. And let me tell you, there is no greater worrier than a crazy, hormone-filled pregnant worrier.
When Drama Duck’s due date was approaching, I sprang a special surprise on my obstetrician.
“When the baby is born, I want to write on it.”
My obstetrician was a lovely man. He didn’t laugh or offer to prescribe drugs for the crazy pregnant lady.
“I seeee. Would you mind telling me why?”
“I’ve gone to a lot of trouble to create this baby, and I don’t want to accidentally bring the wrong one home from hospital.”
“You are aware that they put ID tags on the baby’s wrists and ankles in the hospital?”
“Yes, but I’ve heard they can slip off and I want to be sure that I get my baby.”
“You know that every time the nurse brings your baby to you, she will check the ID tags and ask you to check them too? They’re very careful about it.”
Don’t care don’t care don’t care I want my baby. I had nightmare visions of getting the wrong one and then five or ten years later being told I had to give back the child I had raised and loved as my own.
When he saw that I was set on it he asked what I was going to write with. I hadn’t expected that question.
“I’ll give you a surgical marker. It won’t wash off for days.”
See? I told you he was a nice man. And he did, too. I have the photo to prove it.
Then the only question was what we should write. The Carnivore and I discussed options such as “Ours” or “Property of …”. In the end we decided on the nickname we had given her through the pregnancy, when we didn’t know who she was. Actually mainly he had given her.
Thus my flawlessly beautiful baby daughter came to have the word “SLUG” printed on her back in her daddy’s messy handwriting.
Monday, 4 May 2009
Happy Star Wars Day!
May the 4th be with you.
I have no reason for posting today other than a wish to make you all groan at the terrible lameness of that pun. I promise a real post soon, but how could I resist? It’s a once-a-year opportunity.
Tomorrow serious I will be, my young jedis.
I have no reason for posting today other than a wish to make you all groan at the terrible lameness of that pun. I promise a real post soon, but how could I resist? It’s a once-a-year opportunity.
Tomorrow serious I will be, my young jedis.
Friday, 1 May 2009
Curse you, Dav Pilkey!
The ducklings have discovered Dav Pilkey’s Captain Underpants books. Demon Duck and Baby Duck are particularly smitten. Not only do we have Captain Underpants stories at bedtime every night, but they have both written Captain Underpants stories themselves, which they read to each other. Demon Duck also does comics. Nor can we enter a bookshop without purchasing another volume in the saga. We also have Captain Underpants songs, computer games and much discussion of wedgies.
In short, our house has been taken over. Not even Drama Duck is immune. I have a whiteboard in the kitchen where I write the weekly menu. The other day I discovered my menu had been vandalised. Drama Duck explained that this was something they did in the Captain Underpants books – the boy heroes change the letters around on the school noticeboard to make the notices say something funny.
So last Tuesday, instead of beef skewers for dinner, we had bee sewers. Captain Underpants would be proud.
In short, our house has been taken over. Not even Drama Duck is immune. I have a whiteboard in the kitchen where I write the weekly menu. The other day I discovered my menu had been vandalised. Drama Duck explained that this was something they did in the Captain Underpants books – the boy heroes change the letters around on the school noticeboard to make the notices say something funny.
So last Tuesday, instead of beef skewers for dinner, we had bee sewers. Captain Underpants would be proud.
Tuesday, 21 April 2009
Alien invasion
I’ve just come back from a week in sunny Queensland, enjoying the theme parks on the Gold Coast. The ducklings had a marvellous time. Demon Duck is now known as Daredevil Duck, from her complete lack of fear on rides that scared even her daddy. I, on the other hand, am now known as the family chicken.
Surfers Paradise is a funny place. I’ve never seen so many hotels and holiday apartments in one place. And yes, I’ve been to Waikiki. Every single local resident must work in the tourism industry. I can’t imagine how they all make a living in winter.
And what is it with Irish pubs? They’re on every street corner, often cheek by jowl with a tattoo parlour. I tell you, Surfers is the tattoo capital of the world. Every second person you pass on the street has a tattoo. And every other person is a Japanese tourist -- although many of them have tattoos too.
I saw everything from full-back tattoos to barcodes on the neck; from delicate swirls on girls’ shoulder blades to hideous things protruding from low-slung jeans that looked like the top of a particularly ugly grey lacy g-string (or thong, for the Americans out there). There were full sleeves, the classic barbed-wire thingy around the upper arm, coloured flowers, writing – even one guy with a girl’s name tattooed over his heart. I hope it was the name of the girl he was with.
Tattoos were particularly noticeable at Wet ‘n’ Wild, a theme park full of waterslides, since everyone was wandering around in their swimmers. It led me to realise that they weren’t really tattoos at all, but some kind of aquatic aliens. Lurking in the dark tunnels of the waterslides, they waited for their next host to swoosh by, allowing them to spread through the park and, ultimately, the world.
I figure they must have made planetfall somewhere near Japan, hence the large numbers of Japanese tourists already infected with the alien parasites. It makes sense that they’d pick an island nation like Japan, so they were never far from water. And Japanese tourists are everywhere – what easier way to spread than to hitch a ride with such seemingly innocent characters?
I haven’t figured out their motive yet, though. World dominion is so old hat. And why start in a place like Queensland, if that’s your goal? Queenslanders all seem to drive about 10 km under the speed limit, a habit which the Carnivore found very annoying. I suggested to him that the aliens may have come to teach the Queenslanders to drive faster, but he didn’t seem convinced.
At least the ducklings enjoyed helping me with the alien spotting. I’m glad to report that we all made it back unscathed, though there was one touch-and-go moment as I passed a tattoo parlour when the alien mindwaves almost lured me in.
Be on guard, earthlings. You never know where they’ll strike next.
Surfers Paradise is a funny place. I’ve never seen so many hotels and holiday apartments in one place. And yes, I’ve been to Waikiki. Every single local resident must work in the tourism industry. I can’t imagine how they all make a living in winter.
And what is it with Irish pubs? They’re on every street corner, often cheek by jowl with a tattoo parlour. I tell you, Surfers is the tattoo capital of the world. Every second person you pass on the street has a tattoo. And every other person is a Japanese tourist -- although many of them have tattoos too.
I saw everything from full-back tattoos to barcodes on the neck; from delicate swirls on girls’ shoulder blades to hideous things protruding from low-slung jeans that looked like the top of a particularly ugly grey lacy g-string (or thong, for the Americans out there). There were full sleeves, the classic barbed-wire thingy around the upper arm, coloured flowers, writing – even one guy with a girl’s name tattooed over his heart. I hope it was the name of the girl he was with.
Tattoos were particularly noticeable at Wet ‘n’ Wild, a theme park full of waterslides, since everyone was wandering around in their swimmers. It led me to realise that they weren’t really tattoos at all, but some kind of aquatic aliens. Lurking in the dark tunnels of the waterslides, they waited for their next host to swoosh by, allowing them to spread through the park and, ultimately, the world.
I figure they must have made planetfall somewhere near Japan, hence the large numbers of Japanese tourists already infected with the alien parasites. It makes sense that they’d pick an island nation like Japan, so they were never far from water. And Japanese tourists are everywhere – what easier way to spread than to hitch a ride with such seemingly innocent characters?
I haven’t figured out their motive yet, though. World dominion is so old hat. And why start in a place like Queensland, if that’s your goal? Queenslanders all seem to drive about 10 km under the speed limit, a habit which the Carnivore found very annoying. I suggested to him that the aliens may have come to teach the Queenslanders to drive faster, but he didn’t seem convinced.
At least the ducklings enjoyed helping me with the alien spotting. I’m glad to report that we all made it back unscathed, though there was one touch-and-go moment as I passed a tattoo parlour when the alien mindwaves almost lured me in.
Be on guard, earthlings. You never know where they’ll strike next.
Sunday, 12 April 2009
Where writers really get their ideas
Writers get asked a lot “where do you get your ideas from?” Most answer with some variation on “ideas are everywhere – it’s not getting them that’s hard, it’s the execution that’s the tough bit”. Unless, like me, you blame everything on evil brain sloths.
But now I can reveal to you, in a world first, that there really is a place writers go to get ideas. They don’t want you to know, in case you stumble on the next best-selling premise before they do, but it’s there, a treasure trove just waiting to be tapped. Or dug up, or whatever you do with treasure troves. And isn’t “trove” a funny word? You never hear it on its own. It’s always part of a treasure trove. Why is that?
But I digress. Back to the world first. Drum roll, please.
Ideas are free for the taking right here on the Glorious Internet. There are sites like Seventh Sanctum that do nothing but generate ideas for stories, themes, characters – whatever your writerly heart may desire. In mere moments there I had the seed of several breathtaking new novels. Check these out:
The story of Dracula as an occult rags-to-riches story. Everyone’s looking for a new take on vampires. Stephanie Meyer, eat your heart out. Not just any old angsty emo teen vampires, but The vampire, re-imagined as an angsty emo teen, just trying to make his way in a cruel world. Suffering the slings and arrows and stakes of outrageous fortune as he claws his way up from humble beginnings to the top of the Transylvanian heap.
A fusion of the story of Noah and the story of Hansel and Gretel. I’ll be on to this one just as soon as I can figure out a way to get around the likely effect of 40 days and 40 nights of rain on that trail of breadcrumbs.
A fusion of the story of Cain and Abel and the story of Jack and the Beanstalk. Kind of a Day of the Triffids thing happening here, where the Beanstalk tries to kill Jack because he’s always been the favourite.
A fusion of the legend of Samson and the tale of Lady Godiva. Great potential for conflict in this one. “What do you mean, cut off my hair? How am I going to stop those peeping Toms from seeing all my jiggly bits with no hair??”
The tale of Lady Godiva being about a group of dolphins. Okay, so Seventh Sanctum’s got a thing for Lady Godiva. But see, this one proves it’s all true. Clearly, David Brin gets his ideas here. Only instead of Lady Godiva his said something like “Star Trek with dolphins instead of people”.1
So there you have it. No, don’t thank me. I’m happy to provide a public service to all struggling writers. Besides, it wasn’t my idea – I snitched it from Jaye Patrick.
Just goes to show that there really are no new ideas in the world.
1. And if you don’t know what I’m talking about, you need to get hold of a copy of his Startide Rising. Great novel!
But now I can reveal to you, in a world first, that there really is a place writers go to get ideas. They don’t want you to know, in case you stumble on the next best-selling premise before they do, but it’s there, a treasure trove just waiting to be tapped. Or dug up, or whatever you do with treasure troves. And isn’t “trove” a funny word? You never hear it on its own. It’s always part of a treasure trove. Why is that?
But I digress. Back to the world first. Drum roll, please.
Ideas are free for the taking right here on the Glorious Internet. There are sites like Seventh Sanctum that do nothing but generate ideas for stories, themes, characters – whatever your writerly heart may desire. In mere moments there I had the seed of several breathtaking new novels. Check these out:
The story of Dracula as an occult rags-to-riches story. Everyone’s looking for a new take on vampires. Stephanie Meyer, eat your heart out. Not just any old angsty emo teen vampires, but The vampire, re-imagined as an angsty emo teen, just trying to make his way in a cruel world. Suffering the slings and arrows and stakes of outrageous fortune as he claws his way up from humble beginnings to the top of the Transylvanian heap.
A fusion of the story of Noah and the story of Hansel and Gretel. I’ll be on to this one just as soon as I can figure out a way to get around the likely effect of 40 days and 40 nights of rain on that trail of breadcrumbs.
A fusion of the story of Cain and Abel and the story of Jack and the Beanstalk. Kind of a Day of the Triffids thing happening here, where the Beanstalk tries to kill Jack because he’s always been the favourite.
A fusion of the legend of Samson and the tale of Lady Godiva. Great potential for conflict in this one. “What do you mean, cut off my hair? How am I going to stop those peeping Toms from seeing all my jiggly bits with no hair??”
The tale of Lady Godiva being about a group of dolphins. Okay, so Seventh Sanctum’s got a thing for Lady Godiva. But see, this one proves it’s all true. Clearly, David Brin gets his ideas here. Only instead of Lady Godiva his said something like “Star Trek with dolphins instead of people”.1
So there you have it. No, don’t thank me. I’m happy to provide a public service to all struggling writers. Besides, it wasn’t my idea – I snitched it from Jaye Patrick.
Just goes to show that there really are no new ideas in the world.
1. And if you don’t know what I’m talking about, you need to get hold of a copy of his Startide Rising. Great novel!
Wednesday, 8 April 2009
Books for ducklings
If you look to the right, you’ll see a few books for younger readers on my list of books read this year. There are two reasons for this:
1) As an involved parent, I like to keep up with what my kids are reading.
2) I find books that other people are reading insanely attractive. I’ve read a whole bunch of thrillers and sf space operas over the years that I would never have picked up except the Carnivore was reading them, and I couldn’t resist a little peek. It drives him nuts, which is an added bonus.
I’ve got Demon Duck started on Terry Pratchett, which she’s enjoying. She’s only eight, but she has quite an adult sense of humour. Either that or mine is pretty juvenile, because we laugh at the same things.
Drama Duck is more of a problem. She’s ten and reads as well as someone 14 or 15 – but she doesn’t like to read the kind of thing that’s aimed at 14 and 15-year-olds. She doesn’t like dark or scary or sad, which pretty much rules out most of YA, as far as I can tell.
She loves Emily Rodda’s Deltora Quest books, though she’s bright enough to pick holes in the plots. But she enjoys the adventure and puzzle-solving in them. She also loved The Hobbit. I gave her the first Harry Potter, which she liked, but the movie of it frightened her and she’s shown no desire to read any more of them.
I’d like to introduce her to some good writing, rather than the pulpy girls/babysitting/boyfriends type stuff she often reads, but I don’t know what. At her age I was reading The Lord of the Rings and other adult fantasies. I don’t remember much that came before that except Enid Blyton (which she also enjoys). And though I still read the occasional YA, I don’t read “middle grade” books, so I don’t know what to recommend. I bought her a Garth Nix on the weekend, which looks promising – and there’s certainly a good backlist there if she likes it!
Does anyone have any suggestions of something to suit a fluent but sensitive young reader who enjoys adventure?
1) As an involved parent, I like to keep up with what my kids are reading.
2) I find books that other people are reading insanely attractive. I’ve read a whole bunch of thrillers and sf space operas over the years that I would never have picked up except the Carnivore was reading them, and I couldn’t resist a little peek. It drives him nuts, which is an added bonus.
I’ve got Demon Duck started on Terry Pratchett, which she’s enjoying. She’s only eight, but she has quite an adult sense of humour. Either that or mine is pretty juvenile, because we laugh at the same things.
Drama Duck is more of a problem. She’s ten and reads as well as someone 14 or 15 – but she doesn’t like to read the kind of thing that’s aimed at 14 and 15-year-olds. She doesn’t like dark or scary or sad, which pretty much rules out most of YA, as far as I can tell.
She loves Emily Rodda’s Deltora Quest books, though she’s bright enough to pick holes in the plots. But she enjoys the adventure and puzzle-solving in them. She also loved The Hobbit. I gave her the first Harry Potter, which she liked, but the movie of it frightened her and she’s shown no desire to read any more of them.
I’d like to introduce her to some good writing, rather than the pulpy girls/babysitting/boyfriends type stuff she often reads, but I don’t know what. At her age I was reading The Lord of the Rings and other adult fantasies. I don’t remember much that came before that except Enid Blyton (which she also enjoys). And though I still read the occasional YA, I don’t read “middle grade” books, so I don’t know what to recommend. I bought her a Garth Nix on the weekend, which looks promising – and there’s certainly a good backlist there if she likes it!
Does anyone have any suggestions of something to suit a fluent but sensitive young reader who enjoys adventure?
Saturday, 4 April 2009
Don't judge a book by its ... author's surname
I did something very brave the other day. Even foolhardy, you might say. I wanted to google an author’s name. I’d just read a book of hers and wanted to see what else she’d written.
The problem was her name. Nina Bangs.
Exactly. Now that you have finished laughing, you can see why I felt some trepidation.
“Self, this is going to end badly,” I thought. “Your pure white computer will be sullied by the suggestive, nay – blatant – filth that will appear. Hot and torrid things will rear their ugly heads on screen and you will end up being spammed by a million people offering you enlargements for organs you do not possess.”
I almost didn’t do it. But in the end I took my courage in both hands, and was vastly relieved to find that the whole first screen of results were all about the author. Nothing turgid, throbbing or otherwise discombobulating in sight. (But I wasn’t game enough to look beyond the first page of results. There is a limit to my bravery.)
Turns out that Ms Bangs has quite a backlist. The book was called Eternal Pleasure, and the Carnivore bought it as a joke, simply because of her outrageous name. And then it turned out the joke was on us, because he read it and said “this is great, you’ve got to read it!”. So I did.
My first paranormal romance. It felt more like a guilty pleasure than an eternal one, as if I shouldn’t be reading such a book. As if there are book police who disapprove of books by authors with suggestive names. But I did enjoy it, despite yelling “you have GOT to be kidding!” when I first realised the nature of the hook. It was a real page turner, and certainly different to anything I’ve read before.
We bought another of hers today. What’s in a name, indeed? That one certainly did its job. I just have to make sure not to read the book in public places. I wouldn’t want anyone to think I was in the market for an … ahem … organ enlargement.
The problem was her name. Nina Bangs.
Exactly. Now that you have finished laughing, you can see why I felt some trepidation.
“Self, this is going to end badly,” I thought. “Your pure white computer will be sullied by the suggestive, nay – blatant – filth that will appear. Hot and torrid things will rear their ugly heads on screen and you will end up being spammed by a million people offering you enlargements for organs you do not possess.”
I almost didn’t do it. But in the end I took my courage in both hands, and was vastly relieved to find that the whole first screen of results were all about the author. Nothing turgid, throbbing or otherwise discombobulating in sight. (But I wasn’t game enough to look beyond the first page of results. There is a limit to my bravery.)
Turns out that Ms Bangs has quite a backlist. The book was called Eternal Pleasure, and the Carnivore bought it as a joke, simply because of her outrageous name. And then it turned out the joke was on us, because he read it and said “this is great, you’ve got to read it!”. So I did.
My first paranormal romance. It felt more like a guilty pleasure than an eternal one, as if I shouldn’t be reading such a book. As if there are book police who disapprove of books by authors with suggestive names. But I did enjoy it, despite yelling “you have GOT to be kidding!” when I first realised the nature of the hook. It was a real page turner, and certainly different to anything I’ve read before.
We bought another of hers today. What’s in a name, indeed? That one certainly did its job. I just have to make sure not to read the book in public places. I wouldn’t want anyone to think I was in the market for an … ahem … organ enlargement.
Sunday, 29 March 2009
Sometimes the hardest part is keeping a straight face
Baby Duck is enjoying school very much, thank goodness. He adores his teacher, has made some nice little friends and loves learning to read, since he’s a book lover from way back. Most days when I ask him how school was he says “lovely”.
But a couple of weeks ago I picked him up after a rainy, miserable day and asked him how his day was.
A look of disgust came over his face. “I had to go to the canteen at lunch time to pick up the lunch basket.”
I was a bit surprised that this wasn’t a high point of his day. Usually the kids love doing little jobs like that. It makes them feel important.
“Is that your job this week?” I asked.
He nodded. “Me and my friend went, and it was raining. We got wet.”
“Oh well,” I said, “it wasn’t raining that hard at lunch time.”
“But that’s not the worst part! We had to go all the way to the canteen in the rain” – he threw his arms wide, an outraged expression on his little face – “and there was only one bloody lunch!”
It’s very difficult to chastise a small person for inappropriate vocabulary when you’re trying hard not to crack up. But he’s never used that word before and it caught me by surprise. He sounded so absurdly world-weary, and the look on his face was priceless. I suspect my protests were unconvincing.
Note to self: Must try harder at this parenting thing.
But a couple of weeks ago I picked him up after a rainy, miserable day and asked him how his day was.
A look of disgust came over his face. “I had to go to the canteen at lunch time to pick up the lunch basket.”
I was a bit surprised that this wasn’t a high point of his day. Usually the kids love doing little jobs like that. It makes them feel important.
“Is that your job this week?” I asked.
He nodded. “Me and my friend went, and it was raining. We got wet.”
“Oh well,” I said, “it wasn’t raining that hard at lunch time.”
“But that’s not the worst part! We had to go all the way to the canteen in the rain” – he threw his arms wide, an outraged expression on his little face – “and there was only one bloody lunch!”
It’s very difficult to chastise a small person for inappropriate vocabulary when you’re trying hard not to crack up. But he’s never used that word before and it caught me by surprise. He sounded so absurdly world-weary, and the look on his face was priceless. I suspect my protests were unconvincing.
Note to self: Must try harder at this parenting thing.
Monday, 16 March 2009
Blade needs sharpening
You know what bugs me? When writers set up the “rules” of their world and then proceed to break them without consequence. Even if it’s only a teeny bending rather than a break, it spoils the story for me. It makes me stop suspending disbelief and start actively hunting for plot flaws.
I found one such instance in my own Dragonheart, when I was rereading it last month to remind myself of the story so far. After carefully setting up that human blood mages like my heroine would only use their magic against the fey, never other humans, I proceeded to write a scene in which she slaughtered no less than five people with magic because they were ambushing her. That one’s definitely going to need a rewrite!
Can’t believe I did it – but still, I picked it up before the first draft is even finished. How do such things get into finished, supposedly polished, pieces?
Take Blade, for instance, an action/horror movie. Tortured vigilante hero hunts down vampires. Not my usual choice in a movie, but it was entertaining enough for mindless Friday night viewing. Until, that is, they started breaking their own rules.
Why bother saying sunlight kills vampires if you’re going to have your vampire characters walking around in broad daylight? You can’t have one vampire dissolved by sunlight and another walking and talking in the daytime because he’s wearing sunblock.
Sunblock. I kid you not. The Carnivore and I were howling with laughter. What would that have to be? SPF 30,000? And the vampire put it on his eyes, right? And the inside of his mouth?
Oh, and for most of the movie vampires are so hard to kill our hero has to go to amazing lengths, yet near the end our plucky heroine sprays one with garlic juice and its head explodes. Uh huh.
Nor is it just fantasy that’s guilty. I watched a BBC production called Lost in Austen recently, about a modern girl who magically changes places with Elizabeth Bennet and ends up in the events of Pride and Prejudice. Well, I guess that’s fantasy too, but my objections had to do with the societal rules that got twisted to suit the plot, not the fantasy element. As if a gentleman like Mr Bingley, having asked Jane Bennet to dance, would then refuse to stand up with her because Darcy warned him she was after his money. To do so would have been unpardonably rude. He might have danced with her and behaved rather frostily, but I can’t believe he would have snubbed her outright. The rules of polite behaviour just wouldn’t allow it.
Not to mention the many things the modern heroine did and said that should have had her cast out of polite society. Or the fact that everyone accepted her sudden appearance and Lizzy’s disappearance. It’s a society where women are closely guarded, yet no one blinks an eye when Lizzy disappears without trace or warning.
Not that I didn’t enjoy it. I did, it was a lot of fun, and not to be taken seriously, I guess. But still, why not follow the “rules” of the society? Just because it makes a more dramatic scene for Bingley to refuse to dance with Jane? But if the viewers are going to sit there and say “but hang on a minute, that doesn’t make sense” is it worth going for drama over logic?
Maybe I’m just getting too picky in my old age. I hardly ever watch TV, but lately it seems that I’m picking holes in everything I watch. Does it really matter if entertainment isn’t internally consistent? Maybe not. But I can’t help feeling that if the writers made the extra effort to obey their own rules, they might come up with ideas that were even better.
Or at least that didn’t leave their audience in stitches when they weren’t intending to be funny.
I found one such instance in my own Dragonheart, when I was rereading it last month to remind myself of the story so far. After carefully setting up that human blood mages like my heroine would only use their magic against the fey, never other humans, I proceeded to write a scene in which she slaughtered no less than five people with magic because they were ambushing her. That one’s definitely going to need a rewrite!
Can’t believe I did it – but still, I picked it up before the first draft is even finished. How do such things get into finished, supposedly polished, pieces?
Take Blade, for instance, an action/horror movie. Tortured vigilante hero hunts down vampires. Not my usual choice in a movie, but it was entertaining enough for mindless Friday night viewing. Until, that is, they started breaking their own rules.
Why bother saying sunlight kills vampires if you’re going to have your vampire characters walking around in broad daylight? You can’t have one vampire dissolved by sunlight and another walking and talking in the daytime because he’s wearing sunblock.
Sunblock. I kid you not. The Carnivore and I were howling with laughter. What would that have to be? SPF 30,000? And the vampire put it on his eyes, right? And the inside of his mouth?
Oh, and for most of the movie vampires are so hard to kill our hero has to go to amazing lengths, yet near the end our plucky heroine sprays one with garlic juice and its head explodes. Uh huh.
Nor is it just fantasy that’s guilty. I watched a BBC production called Lost in Austen recently, about a modern girl who magically changes places with Elizabeth Bennet and ends up in the events of Pride and Prejudice. Well, I guess that’s fantasy too, but my objections had to do with the societal rules that got twisted to suit the plot, not the fantasy element. As if a gentleman like Mr Bingley, having asked Jane Bennet to dance, would then refuse to stand up with her because Darcy warned him she was after his money. To do so would have been unpardonably rude. He might have danced with her and behaved rather frostily, but I can’t believe he would have snubbed her outright. The rules of polite behaviour just wouldn’t allow it.
Not to mention the many things the modern heroine did and said that should have had her cast out of polite society. Or the fact that everyone accepted her sudden appearance and Lizzy’s disappearance. It’s a society where women are closely guarded, yet no one blinks an eye when Lizzy disappears without trace or warning.
Not that I didn’t enjoy it. I did, it was a lot of fun, and not to be taken seriously, I guess. But still, why not follow the “rules” of the society? Just because it makes a more dramatic scene for Bingley to refuse to dance with Jane? But if the viewers are going to sit there and say “but hang on a minute, that doesn’t make sense” is it worth going for drama over logic?
Maybe I’m just getting too picky in my old age. I hardly ever watch TV, but lately it seems that I’m picking holes in everything I watch. Does it really matter if entertainment isn’t internally consistent? Maybe not. But I can’t help feeling that if the writers made the extra effort to obey their own rules, they might come up with ideas that were even better.
Or at least that didn’t leave their audience in stitches when they weren’t intending to be funny.
Wednesday, 4 March 2009
What Marina needs
I found an idea on Jacqui Robbins’ blog that appeals to my sense of the ridiculous: Type your first name and the word “needs” into Google and see what Google thinks you need.
Marina needs:
1. a better slipway
-- sounds vaguely obscene …
2. a facelift
-- it’s not that bad … at the right angle … in a dim light
3. an iDockUSA
-- this is what comes of having a name that means “boat parking lot”. Thanks, Mum.
4. a home of her own
-- or at least a “space” of her own not invaded by kids
5. her rest
-- AMEN!!
6. to replace fuel system
-- that would be eating more chocolate, I assume
7. a clean-up
-- I don’t know; I think I scrub up all right
8. gas
-- the less said about this the better
9. a drink
-- a cup of tea would be nice, thanks
10. a large hole excavated
-- another suggestive one!
I’m jealous; Jacqui needed “werewolf points” so she could become a “Fire Werewolf”. I didn’t get anything that exotic.
What Marina really needs, of course, is to stop stuffing around on the internet and do some writing. But hey, it was fun.
So what do you need?
Marina needs:
1. a better slipway
-- sounds vaguely obscene …
2. a facelift
-- it’s not that bad … at the right angle … in a dim light
3. an iDockUSA
-- this is what comes of having a name that means “boat parking lot”. Thanks, Mum.
4. a home of her own
-- or at least a “space” of her own not invaded by kids
5. her rest
-- AMEN!!
6. to replace fuel system
-- that would be eating more chocolate, I assume
7. a clean-up
-- I don’t know; I think I scrub up all right
8. gas
-- the less said about this the better
9. a drink
-- a cup of tea would be nice, thanks
10. a large hole excavated
-- another suggestive one!
I’m jealous; Jacqui needed “werewolf points” so she could become a “Fire Werewolf”. I didn’t get anything that exotic.
What Marina really needs, of course, is to stop stuffing around on the internet and do some writing. But hey, it was fun.
So what do you need?
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