Wednesday 27 August 2008

Why stories shouldn't have necks

Baby Duck has discovered a sudden passion for drawing. Looking at one of the many masterpieces littering the house today it struck me that children’s drawings are a lot like good writing.


This is me. Clearly I need to lose weight.

Apart from that lowering thought, it’s fascinating to see what my little artist has put in his drawing and what he hasn’t. You can see I have five fingers on each hand, since the little monkey has realised what important tools these are, whereas I have no toes. There’s no detail on the body as that’s just the big lump in the middle that all the interesting bits hang off. I have short hair, which is an accurate observation. My face is the most detailed part of the drawing because of its importance. It shows ears (with holes for hearing), eyes with irises and pupils (even at five he senses that the eyes are the key to the whole person) and a big happy smile.

What he doesn’t show is a nose. After all, noses just sit there and breathe which, while essential, is kind of boring. I also have no neck – another dull piece of anatomy that merely connects two more interesting pieces.

In their early drawings, kids only put in the features that have meaning for them. All the good bits. Writing should be like this too. As I revise my novel I’ve been hitting the delete key a lot, nuking all those passages where characters are travelling from one place to another, or making breakfast, or exchanging pleasantries.

Holly Lisle put it well in her One-Pass Revision article (which is one of many useful free writing resources on her site). Writers should “give the impression of reality” without all of the boring detail. “All the sex and violence, passion and struggle. None of the teeth-brushing.”

Down with teeth-brushing, I say. My five-year-old has it right. My story doesn’t need any necks. It can jump straight from the body to the face if it wants to, because that’s where all the good stuff is happening.

Saturday 23 August 2008

Slippery little suckers

Words can be such slippery little suckers. Tonight at dinner we were talking about the game MindTrap, which is an old favourite of ours. You play by answering questions using logic and deductive reasoning. I love the “lateral thinking” type ones, where you can ask questions to work out the answer to the puzzle. (You know, like the classic “Joe and Fred are lying dead on the floor, which is covered in broken glass and water. How did they die?” The answer: Joe and Fred are goldfish and their bowl has been smashed.) My beloved, not surprisingly for an accountant, likes the maths-based ones, most of which make my brain hurt.

The ducklings were curious so we got it out and read them some questions. One was:

“There are six ears of corn in a hollow tree. If a squirrel can take out three ears per day, how many days will it take to remove all the corn?”

Easy, huh?

Did you say “two days”? Yeah, me too. I knew there had to be a catch, but I never saw it coming. The correct answer is “six days”. The squirrel can only carry out “three ears” per day – but he already has two ears stuck on his head.

Slippery, all right.

Thursday 21 August 2008

Hack and slash

I’ve finally done it! After a medal-worthy marathon of procrastination, I finally sat down last night and started editing my novel. And it was fun. Take that, hideous opening sentence! In fact, goodbye whole boring first two pages. The first scene, which wasn’t particularly long, lost 1,000 words in a frenzy of hack and slash. Could be a problem if I keep that up, since I need to add about 20,000 words to the total length. I could end up with a short story instead of a novel.

Still, I’m pleased that I’m moving again. I finished the first draft two months ago and have been stalling ever since. My new goal is to finish the book before November rolls around and I start NaNoWriMo and do it all again. In fact, I’d better finish a couple of weeks before, to give me time to think about my NaNo project …

Guess I’d better go do some revising.

Friday 15 August 2008

Mirror, mirror, on the wall ...

Everyone’s image of themselves is just a little different to the reality. Mine’s a little thinner, a lot less grey. Baby Duck, however, has self-delusion honed to an artform. Yesterday someone asked him what colour he would make his hair in his self-portrait.

“Like yours,” he said to the nice blonde lady.

Vanity, thy name is Baby Duck. Wishing doesn’t make it so. Only a large amount of peroxide could help him there. His hair is light brown – quite an attractive heading-towards-dark-blonde shade, but still undeniably brown.

It reminded me of a classic exchange at the supermarket checkout last year. The woman behind us in the queue was chatting to Baby Duck.

“You look like your mummy, don’t you!” she says.

“No,” says Baby Duck, looking at her as if she’d suggested he had two heads.

“No? Who do you look like then? Your daddy?”

“Nobody. I look like me.”

“Oh. Well, I think you look like your mummy.”

(Mummy finds this type of talk very gratifying. Ha ha! I’ve left my genetic mark on this poor unfortunate child.)

“No, I don’t,” he insists. He prepares to bring out supporting evidence, and I imagine it will be along the lines of “she’s a grown-up and I’m a kid” or “I’m a boy and she’s a girl”, but what he says is: “She’s got brown hair.”

“And what colour is your hair?” asks the lady, because, well, it’s brown too. Lighter than mine, but brown all the same.

“It’s gold,” he says firmly, “and all sparkly.”

Sunday 10 August 2008

Evil brain sloths

“Where do you get your ideas from?” is a question that published authors get asked a lot. I only hope someday people will be asking me. Karen Miller thinks the question should be “where don’t you get ideas?”. Glenda Larke agrees, and thinks that if you have to ask the question, you don’t understand how writers’ minds work. Justine Larbalestier gets hers from evil brain monkeys. The common theme is that getting the ideas isn’t the problem – it’s the actual turning them into stories that’s hard.

I had an interesting encounter with my brain monkeys this week. They’ve always given me plenty of ideas, but only little bits and pieces. Once they’ve given me the first glimmering of a story they just roll over and go back to sleep, leaving me to figure out all the rest of it alone. I think I actually have brain sloths. Perhaps the monkeys were all gone by the time I got to the head of the queue.

Only this week I tried something different at Holly Lisle’s suggestion (I’m doing her How to Think Sideways writing course). Instead of leaping all over an idea the minute the poor thing poked its head up out of the subconscious and trying to force it into a story, I waited. Boy, that was hard. But it was worth it, because when that idea saw that the coast was clear it called all its mates out to join it and bang! the whole story fell into my head. Obviously I still have to write it, and no matter how complete the idea is, the writing is still where the hard work comes in. But it’s going to be really interesting to start writing a story without that sinking “I wonder what the hell comes next” feeling.

So now I’m thinking I may have maligned my brain sloths. Maybe they’re not a bunch of lazy no-good slackers after all. Maybe they’re just shy and I was scaring them away. Come out and play, little brain sloths! All is forgiven.

So. Where do you get your ideas from?

Sunday 3 August 2008

Calling his bluff

Demon Duck is only seven, but sometimes she seems much older. The other day her daddy was teasing her by suggesting that he should come to her netball break-up party.

“You can’t,” she says. “It’s only for the girls.”

“I could wear a skirt.”

She eyes him consideringly. “Yeah, that would be worth it.”

And where did she get that evil sense of humour? He only has himself to blame.